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МУЗ КЛИПЫ 80х

МУЗ КЛИПЫ 80х

МУЗ КЛИПЫ - 90х

Григорий Лепс: Полный Вперёд!

ЛЕНИНГРАД

Михаил Шуфутинский - Юбилейный концерт "АРТИСТ"

Ева Польна: Всё обо мне

Ани Лорак - DIVA

BURITO Сольный концерт

Ева Польна: Глубокое синее море

Вера Брежнева номер 1

Валерия - К солнцу

The iconic 1977 Pink Floyd album has been remixed for the first time by James Guthrie. Animals is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band's earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell's Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it's been a long time since 1977, the narrative of the album still resonates today as our social and economic situation mirrors that of the time.

In this film, Melina gets the chance to prove herself as a musical actress while learning about the beauty and difficulty of love.

Within Temptation - Mother Earth

When Act 2 of Fidelio is being poured out in the most glorious tones imaginable from Mattila, Heppner and Pape - who can possibly complain? Who would honestly want to replace any of them? Who can fail to be overwhelmed with gratitude to own this disc? If I continue to count our blessings, I might mention the splendid Robert Lloyd drawing us to a thrilling finale as Don Fernando; and Falk Struckmann a convincingly evil Pizarro. So it is certainly not complaining, but fulfilling a reviewer's obligation to tell all, when I admit that Jennifer Welch-Babidge is little more than adequate as Marzelline. One might wish for a purer vocal line in this role - like a Bonney or an Isokoski.

This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.

Combining his trademark wit and self-deprecating humor with original music, Bo Burnham offers up his unique twist on life in this stand-up special about life, death, sexuality, hypocrisy, mental illness and Pringles cans.

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.

A captain pays one of his sailors to marry a woman who works in a nightclub.