Everything in the End

In search of kicks in Reykjavik in the year 2000, a pretty teenager, Stella, teams up with a handsome alcoholic, Robbi, and in a stolen car careers through Iceland with unexpected and bizarre consequences.

Months after they broke up, Gunnar receives a strange phone call from his ex-boyfriend, Einar. He sounds distraught, like he's about to do something terrible to himself. Gunnar drives up to the secluded cabin where Einar is holed up and soon discovers that there's more going on than he imagined. As the two men come to terms with their broken relationship, some other person seems to be lurking outside the cabin, wanting to get in.

A young hero defeats a dragon to find acceptance to the court of burgundy.

Cultural historian Janina Ramirez presents a collection of intriguing and exciting short films by emerging women directors and artists. Each film gives a female perspective on modern-day topics from body image and new love to grief and belonging. Expect honest and refreshing storytelling that will make you laugh, make you cry and make you think. In a Room Full of Sisters; Blood Stains; Bridging the Gap; Cake; Ding-Ding, Next; Fruity; In Perpetuum; Owulide; White Dwarf; Cosmic Domestic; The Dead Are Jewels to Me; The Presence of Absence

Unable to face the mother who left her at a young age, BRYNJA (40) takes shelter in a small guesthouse in a village outside Reykjavik. There she befriends MARK (50), a British tourist, who's dealing with his own personal tragedy.

Episodes about different stages of relationships: from flirtation to falling out of love.

17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

An elderly couple leave their retirement home to make one last journey back to their home in the Western Fjords.

Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.

Teen misfits Roma, Toto, and Drop call themselves the “Don Glees,” an informal name for their backyard adventures. One day, when the trio gets blamed for a nearby forest fire, they set off into the woods to prove their innocence. As disaster strikes their expedition, tensions flare between the friends as they realize that growing up has taken them on wildly different paths in life.

In the 19th century, a young widow named Eva manages a remote winter fishing outpost in an Arctic bay, which she inherited after her husband, Magnus, was shipwrecked. The nearest settlement is three days' march away and inaccessible due to deep snow on the mountain trails. The outpost faces a harsh and brutal winter with rapidly dwindling supplies. Eva and her crew are already living on bait as their fishing catch declines. One morning on the beach, they witness a Basque whaling ship sinking far out near the cliffs known as "the Teeth," which rise steeply from the sea. Eva now faces an impossible decision, as any attempt to rescue the survivors risks depleting the last supplies for her and her men even faster.

Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?

Charming desperado Ossy, carrying a deadly secret, tracks down his childhood pal Jimmy in Iceland. But Jimmy, now with a family and a regular job, will do anything to hide his past.

Pétur is an optometrist happily married to Ásta. They are expecting a child but already have a 10 year old boy named Örn. On coincidense Pétur finds out that he is not Örn's biological father.

Wealthy, aging patriarch Thordur assembles his scattered heirs in his remote Icelandic fishing village to discuss the future of the family fishery. But bringing everyone together unleashes a storm of long-repressed dark family secrets.

When 15-year-old Magnea meets Stella, everything changes. Stella's no-holds-barred lifestyle drags them both into a world of drugs, which brings serious consequences for each of them, and their relationship. Twelve years later their paths cross again, and a reckoning between them becomes unavoidable.

Summer camp. Èlia and Nil kiss for the first time. They are the first campers, from all boys and girls, to ever kiss. Suddenly, the camp fills with an atmosphere of curiosity, discovery and enthusiasm.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Two long-time internet friends - Ted, the hometown artist, and Liz, a globe-hopping humanitarian. On the night of his gallery opening, on a river that goes nowhere, they meet for the first time. Neither one knows that the other loves them.