Everything in the End

17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.

An Icelandic couple live with their herd of sheep on a beautiful but remote farm. When they discover a mysterious newborn on their land, they decide to keep it and raise it as their own. This unexpected development and the prospects of a new family brings them much joy before ultimately destroying them.

Months after they broke up, Gunnar receives a strange phone call from his ex-boyfriend, Einar. He sounds distraught, like he's about to do something terrible to himself. Gunnar drives up to the secluded cabin where Einar is holed up and soon discovers that there's more going on than he imagined. As the two men come to terms with their broken relationship, some other person seems to be lurking outside the cabin, wanting to get in.

Wealthy, aging patriarch Thordur assembles his scattered heirs in his remote Icelandic fishing village to discuss the future of the family fishery. But bringing everyone together unleashes a storm of long-repressed dark family secrets.

Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.

An elderly couple leave their retirement home to make one last journey back to their home in the Western Fjords.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

The ennui of a filmmaker, trapped between aspiration and reality, frames Lana Jing’s quirky, sarcastic, and cinematic-joke filled quarter-life crisis. At her lecture hall job, where aging white men wax on, self-involved, Lana accidentally frames her friend and co-worker when she destroys the only copy of an aging tech-bro’s high-profile lecture. Lana is forced to navigate stop motion animation, a secret admirer, and terrible bridge traffic to sort out a way forward to her destiny… kinda.

Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

Pétur is an optometrist happily married to Ásta. They are expecting a child but already have a 10 year old boy named Örn. On coincidense Pétur finds out that he is not Örn's biological father.

Charming desperado Ossy, carrying a deadly secret, tracks down his childhood pal Jimmy in Iceland. But Jimmy, now with a family and a regular job, will do anything to hide his past.

Unable to face the mother who left her at a young age, BRYNJA (40) takes shelter in a small guesthouse in a village outside Reykjavik. There she befriends MARK (50), a British tourist, who's dealing with his own personal tragedy.

Episodes about different stages of relationships: from flirtation to falling out of love.

A young hero defeats a dragon to find acceptance to the court of burgundy.

A 19th-century widow is tasked with making an impossible choice when, during an especially cruel winter, a ship sinks off the coast of her impoverished Icelandic fishing village. Any attempt to rescue survivors risks further depleting the starving villagers’ supplies.

Anna gets released from a Polish prison on parole after fifteen years behind bars. Once free, Anna has but one goal - to find a woman whose name is Dorota.

An elderly woman returns to her home after a violent break-in that has robbed her of her husband and her peace of mind. Now alone, only she can discover if she is ready, or able, to begin life again.

In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits.

A seven-year-old boy is sent to a farm on a remote island, when his mother goes abroad. On the island the boy gets to know a twenty-year-old woman who seems willing to take on a mother's role. But the boy is reaching an age of sexual awareness and instead of regarding her as a mother figure; he falls obsessively in love with her.