A radio host is victimized by the cannibal family as a former Texas marshal hunts them.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
A mockumentary about a small town church preparing for a community chili cookoff while searching for a new pastor and keeping their building from falling apart.
A duo of gun happy redneck hunters stupidly break a sacred circle in a hunting spree, which releases the deadly wendigo. The wendigo kills many of the hunters gruesomely, leaving the chosen woman and a gun toting idiot to destroy the deadly beast.
A troubled young man comes to terms with a recent traumatic event that has sent him spiraling out of control.
The intimate life of the mythical Candy Dubois, from her childhood in a correctional facility to her success with the "Blue Ballet" in the great "BIM BAM BUM".
The official TV spot for the Brown Grove food company's brand new "Friendship Chili"
Mirage of El Dorado leads us into the mountains of northern Chile, where the devastating operations of Canadian mining companies threaten a fragile ecosystem in one of the driest parts of the globe. This « political cowboy flick» follows the pitched battle between a farming community in the Huasco valley and Canada’s mining giant Barrick Gold with its sidekick Noranda (now part of the Suisse corporation Xstrata). It’s a battle fought high in the Andes cordillera where farmers and local representatives fear the ravages of open pit mining operations in a place where a fragile system of glaciers feeds the rivers that flow into the farmlands built out of the advancing Atacama desert.
I had heard of a Chilean painter, author of a thousand paintings, who had disappeared long ago. I had been given an address on the banks of the Loire, at number 640 of a road that no longer existed. No one had been here for decades. Everything had remained there, as if someone had fled.
REDENCIÓN combines four stories that converge into one, full of suspense, action and drama, where an elderly man who is treated like a slave BENJAMÍN (Carlos Villamizar), a man with terminal leukemia TRINO (Laureano Olivarez) and a successful but corrupt intelligence officer BRUNO (Carlos Guillermo Haydon), tie their lives to a highly dangerous psychiatric patient LORETO (Marcel Barragán) who escapes and triggers a series of events that will keep the viewer trapped waiting for REDEMPTION.
A voice draws two destined individuals together for a showdown, awakening 1/12-scale statues of the Nu Gundam and Sazabi, leading to a fierce battle inside the mall.
Koichi Haruyama, who works at the Morita Automobile Factory, was driving a convertible through Ginza in search of accident sites. He buys cars that have been damaged in accidents at a low price and scraps them for his own company. He uses the money he earns in this way to pay back Kanda Trading. Morita, the president of the company, is suspicious about the identity of Kanda Trading, from whom he borrowed money. However, what is borrowed must be repaid, and Koichi drives to Toyokawa to beg his grandfather for money as his scrap business is not going well. In addition to begging for money, Koichi has another secret purpose...
The plot of the film starts at the beginning of the century, in the heyday of the Andrássy and Károlyi families, during the ever increasing crisis of the Austro-Hungarian Monarchy, and ends with the emigration of the Károlyi couple after the collapse of the 1918-19 revolutions. It tells the story of this historical period (war, revolution, take-over by the proletariat, dictatorship) from the view of an extremely wealthy lady, Andrássy Katinka. The authors tried to evoke the special story during which a strange and unique woman gets thoroughly involved in history through her love and at the same time keeps her own identity and self-governance.
Vörös Hajnal (Red Dawn), a co-operative is the venue of skylarking, while the storm destroys the wheat which is to be harvested soon. Árendás, a middle-peasant, voices severe accusations against members of the co-operative: out of negligence, they failed to keep the ditches clean. It is always the soft option they seem to favour, while the necessity of properly taking care of the farmlands is long-forgotten. Members of the co-operative and the village people are deeply divided.
September 1952 in a mine in Northern-Hungary after an explosion water breaks in from the neighbouring shaft and fourteen miners become trapped. The whole country unites to save them.
In 1963 in Tihany, somebody addresses the writer Gábor Náday. He is reminded of a night drive in 1944 that saved his life. Painful memories start coming to Náday.
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
Baradla Géza, war criminal, returns after 25 years, with his ex-accomplice, Obrád Simon, to the village where he burned houses with people inside and executed partisans. The ex squad-leader is chased to this place by his "heroic deed" and the memory of his love. Like a maniac, he wants to forgive the village residents for having killed six of his soldiers.
1918. Fábián Bálint is forced to kill humans on the Italian front. At home his sons drown the priest, the lover of their mother, in the river Kraszna. Mrs. Fábián turns insane. Following his arrival home Bálint becomes the liveried coachman of the baron.