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Another kind of utopia is presented in the films of Naomi Uman, whose search for her family roots in the Ukraine led her to move to the small village of Legedzine. In "Unnamed Film", she shoots the old bubushka ladies as they expertly prepare pickles, pick vegetables, and sing odes to vodka. Shot on 16mm with non-sync sound, it has an intimate, handmade quality, only heightened by the use of explanatory inter-titles in place of subtitles. Uman’s Ukrainain was weak, so she wanted the viewer to have the same experience as she did, just getting the gist of things. As with Uruphong’s work, there is a nostalgia for the old ways, which were self-sufficient but took an incredible toll on the body. The bubushkas complain about their aching backs and the never-ending poverty, spiking any drift towards romanticization.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

The injustice of the Japanese internment is explored through the story of Kyuichi Nomoto, one of the first Japanese Canadians to graduate from UBC, who suffered a breakdown deep in the BC Interior.

Maxed Out takes us on a journey deep inside the American debt-style, where everything seems okay as long as the minimum monthly payment arrives on time. Sure, most of us may have that sinking feeling that something isn't quite right, but we're told not to worry. After all, there's always more credit!

An exploration on Paz's poetry by Paz himself, his childhood, his ideas about love and the nature of art

In this revealing documentary, burlesque star Immodesty Blaize examines the world of British burlesque and the resurgence in its popularity.

A chronicle of legendary Native American poet/activist John Trudell's travels, spoken word performances, and politics.

A portrait of five St. Petersburgians and their connection to The Hermitage.

A rare behind the scenes look at the tragedies and bitter disappointments that plagued one of MGM's most popular leading ladies

PUMP is a documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and explains clearly and simply how we can end it — and finally win choice at the pump. Today, oil is our only option for transportation-fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. PUMP shows how, through the use of a variety of replacement fuels, we will be able to fill up our cars — cheaper, cleaner and American made — and in the process create more jobs for a stronger, healthier economy. Narrated by Jason Bateman and featuring notable experts such as John Hofmeister former President of Shell Oil, and Elon Musk, the CEO of Tesla Motors, PUMP will forever change the way you think about your car — and the fuel that powers it.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

Michôd and Peedom's hour-long documentary recounts the tale of Andrew McAuley, an Australian adventurer who, in 2006, launched a quest to become the first person to paddle a kayak across the treacherous Tasman Sea, one of the loneliest and toughest stretches of water in the world.

The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.

A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.

“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.

A short film with shots of sculptures by Anneke Walvoort. The materiality of film plays an important role: visible grain, flashes of colour, unexpected camera movements.

This documentary contains dramatized episodes about the lives of Erika and Klaus Mann, the brilliant children of German writer Thomas Mann.