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A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.

1942, and a spectacular wartime birth in the depths of winter: a young russian nurse unexpectedly goes into labour and, all alone and in freezing temperatures, gives birth to her daughter Tamara in a field on the banks of the Volga. The most personal film to date from co-directors Tamara Trampe and Johann Feindt is dedicated to Tamara's own family history. The search for her unknown father who, as a russian officer, made the young nurse pregnant, is complicated by the fact that her mother has never come to terms with her wartime trauma and worn family photos only seem to show happy-go-lucky life before the war. But the director won't give up so easily and, through a mixture of personal childhood recollections and conversations with relatives and former nurses who were on the front in Ukraine, she puts together the pieces of the puzzle.

Idealized by the filmmakers Lais Bodansky and Luiz Bolognesi, the documentary portrays the projects executed by the Buriti Institute and Buriti Films in 10 years of work. Since 2004, projects collect impressive numbers: 116,509 kilometers were driven on roads, which led to 759 outlying neighborhoods, where they were made 7439 film sessions to 1,355,403 brazilians. Eighteen states and the Federal District were visited by Cine Tela Brasil, who put brazilian various ages for the first time in a movie theater.

Director Anneloek Sollart closely follows Tom and his mother. Since he was five years old, Tom has only eaten raw food. Uncooked, unheated food. His mother wants him to. She believes in the raw food diet, which she says is the healthiest lifestyle.

Hossein and Shaima have loved each other since childhood. As teenagers they were separated by war. They meet again in Kabul in the late 90s. Poverty forces Hossein to fight in the war. A shell splinter leaves him paralyzed. Shaima is sold into marriage with a man 40 years her senior and falls pregnant. Since Shaima's husband still owes half the dowry to her father he brings her back into the constraining patriarchal fold of the family, where she lives with her 5-year-old daughter. This situation doesn't prevent the two from seeing each other, even though this means going against their families' hard rules. In constant fear of revenge on the part of the male members of both families, they struggle to hold on to their love.

This film chronicles how figure skater Katarina Witt fought for her future in socialist East Germany, how she faced the changes after the fall of the Berlin Wall and how she ended up both a beneficiary and victim of the East German regime.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

N-Capace

Arami Ullón must return to Paraguay to make an important decision: what will happen to her sick mother, Mirna? The heartfelt gaze of the camera reveals a relationship filled with love, but also unspoken and unresolved issues. A sensitive film which examines the inner turmoil of the daughter during the final stages of her mother’s degenerative illness.

This documentary was subjected to condemnation and attempts for institutional censorship as soon as it was done. The film observes how one man makes a career using another in the totalitarian society of Communist Bulgaria.

The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.

This is a film about Christopher Kirk, an American IT guy who moves to Colombia after reading about Pablo Escobar’s hippopotamuses. It is also a film about the story of V., a story that Kirk obsessively tells and retells about his infatuation with a mysterious Japanese-columbian woman. A story that may or may not have to do with his arrest in 2009 in Brazil for international drug trafficking. Moreover, it is also a film about two directors.

The Gift is a feature-length film exploring a major transformation in peoples' relationships with animals.

K2 is widely seen as the world's harshest mountain. Yet many indigenous porters make a living in its extreme conditions, carrying provisions for foreign climbing expeditions. Often risking their lives, they receive minimal pay for their efforts. Against a backdrop of breathtaking natural beauty, this doc explores the courage and sacrifice of the men who call the 'Savage Mountain' their home.

This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

Actress Virginia Madsen collaborates with her mother Elaine Madsen to produce this documentary, which profiles a collection of fascinating woman between 64 and 94 years old. Among those featured in this extraordinary exploration of womanhood are famed model-turned-actress Lauren Hutton, screen and stage legend Rita Moreno and Hollywood pioneer Eartha Kitt.

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

The Boxing Day Tsunami in 2004 was the most devastating natural disaster in modern times, killing 228,000 people across 13 countries in just a few hours. AFTER THE WAVE tells the untold story of this epic forensic operation in Thailand to identify and return home the bodies of over 5,000 victims, both locals and holidaymakers from around the world. Led by a crack Australian team, the best forensic specialists from around the world were in a race against time to give back every victim their identity. Creating forensic history, the international team’s mantra from the outset was ‘we will take them home’, a seemingly impossible ambition but one that almost succeeded. In this film forensic science intersects with powerful stories of survival and loss, attempting to make some sense out of a tragedy so bewilderingly complete that nearly a decade out it still seems far-fetched to most of us.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.