Jehova

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

A baronet's son marries a barmaid in order to qualify under the inheritance terms of a will.

English hellraiser Richard Farrington is sent by his wealthy titled parents for a visit to his aunt and uncle in Long Island, New York. On the ocean voyage, Richard meets Betty Winthrop, the ward of the wealthy Van Allen family. Introducing himself he mistakenly gives her the card of John Smithers, a conman who cheated him at cards in London. He follows Betty to the Van Allen estate, where he hears her declare that she would rather marry an American criminal than a weakling English aristocrat. Determined to win her over, he pretends to be Smithers, but things don't turn out exactly the way he planned.

Julie Lamont is the only white woman in the French-Canadian woods where she lives with her Uncle Henri, a trader who smuggles whiskey to the Indians. Though she has no interest in them she is pursued by brothers Pierre and Jean Dubois, suppliers of Henri's whiskey. Julie flees to the Haunted Rock cave after a fight between the brothers and is discovered there by American engineer Tom King and they fall in love. The brothers pursue and menace the couple but infighting leads to ruin for both and the young couple embark on life together.

Theatrical manager Isaac Shuman has a reputation for "taking advantage" of young girls who want to become stars on Broadway. Reporter Tom Warder investigates these stories and exposes Shuman in his newspaper.

Tom, a young man in a small town, wants to marry his sweetheart Jane, but Jane's father won't allow it until Tom proves he can support her. Tom heads to New York City to make his fortune and prove to Jane's father that he has what it takes, but he meets and falls in love with Amy, a chorus girl who already has a wealthy suitor. Complications ensue.

Dick Seymour is fortunate in having a nice father and a nice girl as sweetheart. Money is coming to him. But, tempted by woman and wine on the great White Way of New York, he falls down badly. His money is in Paris. In that city he goes from bad to worse and is accused of murder. From jail and death there seems no escape. But his father and sweetheart have been loyal to him and he is proved innocent of the crime and saved. He finds happiness by shunning bad company and bad habits.

In nineteenth century Mesopotamia a series of romantic enganglements ensue.

Loose adaptation of Mary Shelley‘s “Frankenstein”.

Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.

A stand-off of pride between two families. One family has a pyromaniac in it, while the other, a member of law enforcement. When a detective and friend are killed by the bad boy of the other family, the double-murder is avenged by the father.

White men grown brutish from jungle life---a beautiful girl at their mercy---risking all for love!

A New York detective solves the kidnapping of a rich banker by a gang of criminals, and clears the daughter's fiancé from being involved.

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame.

Jack Banning is a motorcycle cop by day and undercover agent by night. Disguising himself as "Strongarm Samson," Banning infiltrates a gang of smugglers headed by Richard Courtney.

A son, down and out on liquor, finds redemption.

Marian Delmar, whose father has died without an estate, believes he has left her a settlement. The film follows Marian's journey as she navigates this belief and its potential consequences.

Through a series of coincidences and circumstances two men who are down on their luck but with an invention that might change their lives cross paths with a young woman of means who unwittingly will change all their fortunes for the better.

Upon her parents death heiress Alice Rowland is placed under the guardianship of unscrupulous George Baring, who seeks to gain control of her fortune. First, he tries to force a marriage between Alice and his son James, but old family friend Henry Whitworth, prevents the marriage. Increasingly more desperate Baring imprisons Alice in her room, but she escapes and flees to Whitworth in the middle of the night. Baring petitions the courts for her forced return just as Alice discovers she can dissolve the guardianship by marriage. Alice then marries Whitworth, thus defeating Baring's wicked schemes and securing a happy ending.

Miriam Gibson is seduced by a handsome adventurer who then abandons her and their child to marry for money. Penniless she becomes a prostitute to care for her child but when the baby dies a hopeless Miriam goes to London becoming the housekeeper and eventual mistress of barrister Geoffrey Sherwood. Jilted by his fiancée Valentine, who likewise married for money, Sherwood has become an alcoholic. As Miriam and Geoffrey grow closer, she hopes for marriage, but when an unhappy Valentine begins to trifle with Geoffrey, he responds and discards Miriam until he realizes Valentine’s shallowness versus Miriam's kindness and consideration for others. They marry in a little Scottish kirk, and sail for Buenos Aires to begin a new life.