In order to make money for the aerial review, a group of students organize the fashion program for the "Yugochic" company, doing some small frauds as well.
Told mostly in flashbacks, the film tells the story of Pamela Digby Churchill Hayward Harriman, one of the greatest and probably most famous courtesans of the twentieth century. While not showing her childhood, first marriage to Winston Churchill's son, or most of her affairs, we do get to see her affair and eventual marriage to Broadway producer Leland Hayward, and then her marriage to politician Averell Harriman, with whom she had an affair while both were married to others in World War II. We also see her as ambassador to France during her last years, and her death in 1997. While some (mostly her lovers) adored her, others (mostly her son and her husbands' children) hated her.
Willy Loman is an over-the-hill salesman who faces a personal turning point when he loses his job and attempts to make peace with his family: Willy's long-suffering wife Linda, and Biff and Happy, his troubled sons and his life.
Mumbai-based model and aspiring actress, Ria (Mahima Chaudhary), meets with stuntman, Dev (Dino Morea), and both fall in love. Shortly thereafter, she gets an offer to act as a lead actress with renowned film-maker, Muni Gandhi, and accordingly re-locates to Shimla to start the filming. Enroute, she excitedly telephones Dev and tells him of the scenic surroundings as well as the echo of bells in a tunnel that emanate from a Hanumanji Mandir. Several days later, when he does not hear from her, he decides to travel there. But before he could do so, he does get her telephone call in which she sounds distressed and asks him to help her. When he asks about her location, she is unable to provide any, and the phone gets disconnected. The question that haunts Dev is: Where is Ria, and how is he going to assist her when he does not even know her location?
Liza falls in love with one of her father's employees. Her socialistic ideas about employment drive her to collide with her father and the sociopolitical status of the time.
A young, beautiful and rich girl, Dimpy Singh, approaches Samrat Tilakdhari, a private investigator, with a strange case. Their garden got ruined for reasons that appear natural but are not known; leading horticulturists have examined the fading plants but they have not been able to identify the probable reason. Further, her father's favorite horse died; once again the reason for the pre-mature death remains a mystery. That's not the end; Dimpy's father Mahendra Pratap Singh, otherwise a very strong and balanced man, has been experiencing deteriorating health. All these aspects when combined makes the case sound weird and that grabs the attention of Samrat. Samrat along with his assistant friend, Chakradhar Pandey, visits the huge estate of Mahendra Pratap Singh. As he starts investigating, he discovers lots of mysterious facts.
A gambler in need of cash plots a romance between his daughter and a wealthy Englishman. The daughter, however, has plans of her own.
A young woman is blessed with a beautiful voice but is restrained to sing due to the society where she lives in. Even her new husband warns her that if she tries to sing again, he will drop her back at her parent's house.
Home cook Rachel, a sort of Ma Dalton, has raised her sons Sam and Jeremiah, and her grandson, Nathan, in the cult of conning. From bad plans to petty theft, this friendly family of broken arms is always after the big score. Luck or fate, during a burglary, they steal a painting by Tamara de Lempicka without knowing its value. Céleste, a shrewd and charming detective, sets out in pursuit.
When a San Francisco exec wins a New Zealand inn, she ditches city life to remodel and flip the rustic property with help from a handsome contractor.
Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later.
Playboy songwriter Brad Allen's succession of romances annoys his neighbor, interior designer Jan Morrow, who shares a telephone party line with him and hears all his breezy routines. After Jan unsuccessfully lodges a complaint against him, Brad sets about to seduce her in the guise of a sincere and upstanding Texas rancher. When mutual friend Jonathan discovers that his best friend is moving in on the girl he desires, however, sparks fly.
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
Young lovers — she's a child of the ghetto, determined to escape her alcoholic, bickering parents; he's a socially prominent attorney with a long-standing health problem — attempt to defy every obstacle to their romance and ultimate marriage.
Two lovers explore their own consumption of each other in this garden of eden like fairytale.
A working class teenager comes of age in 1910s rural Sweden, moving through a series of jobs and romances that gradually shape his future.
On a bet with one of his practical-joking partners, a Los Angeles lawyer responds to an ad from a pretty Chicago magazine writer offering herself as a bridal candidate as an investigative reporting assignment, and then makes another bet that he can keep the relationship platonic for two weeks.
With the death of her mother, eight-year-old Anna ends her childhood: From now on, she has to look after the nine-member family. Deprivation-rich years, which also find no end when Anna marries: Her husband Albert must be a soldier in the Second World War, and the pregnant Anna has to work hard in the farm and care sick relatives. Lonely and exposed to the harassment of the tyrannical mother-in-law, she waits for Albert, with no certainty that he will ever return.
Youssef and Alia, who were separated in their teenage years as a result of oppressive circumstances, before fate brought them together again after years of separation, and each of them took a different path in their lives.
A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.