Montage of Hong Kong

A recently married scholar goes on a quest for knowledge of other people's wives, based on his philosophical differences with the Sack Monk. He encounters the Flying Thief, who agrees to help him find women, but only if he attains a penis as big as a horse's. The scholar has a surgeon attach said unit, and he's off and running on his mission, only to find that there are obstacles to his new lifestyle, such as jealous husbands and treacherous females.

Horses at the Horses' Home of Rest at Cricklewood enjoy a special feed for New Year.

A Christmas message from Topical Budget featuring two camels.

mood in Alexandria Streets

Herr Nerz of Berlin University studies training methods at West Ham.

For over 50 years, iconic activist Ted Brown has fought for queer and black identities. But after losing his partner, Noel, under heart-breaking circumstances, a devastated Ted questions the impact of his activism and struggles to mount a new campaign. Can Ted find the strength for one last fight for LGBTQ+ rights?

A rare film by the legendary filmmaker Mustafa Abu Ali, one of the founders of the Palestine Film Unit, the first filmic arm of the Palestinian revolution. Shot by a French news team, the footage was edited by Mustafa in Lebanon to produce one of the earliest films on the occupied territory in Gaza. Scenes of the Occupation from Gaza employs experimental editing tech- niques to produce a cinematically and politically subversive film. The film won the prize as best film at the Damascus Film Festival in 1973 and was screened at multiple festivals. It was the only film produced by the Palestine Cinema Group, which in 1974 became the Palestine Cinema Institute.

MAKING OF DA VIDA

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

A documentary short.

Inside the making of Anchorman 2: The Legend Continues

Utilizing a combination of professional actors and man-on-the-street interviews, French director Raymond Depardon has created a film about filmmaking that centers on a rather discriminating director's search for the perfect leading lady. The main problem is that the helmer (Luc Delahaye) doesn't really know what his next film will be about, let alone what kind of woman should be his star. Looking for inspiration, the director and his casting agent (Sylvie Peyre) visit the Saint Lazare train station in Paris and shoot some footage of passengers entering and exiting the trains. Later he encounters a few actresses, but rather than asking about their professional experiences, the director focuses on their personal lives. After several fruitless interviews, the director confesses to the casting agent that he really wants to utilize a non-professional actress.

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

From a secular point of view, the film explores the lives of gay men and women of faith as they recall their journeys to put their sexuality and spirituality in harmony. Finding that their strong religious convictions and faith seemed to be used against them, these are the personal stories of people who have participated in "ex-gay" ministries and found in fact that they did not provide a so-called cure. The answers seemed to come from within. With less of a focus on the "ex-gay" movement, the film is more about the telling of stories behind the debate and the role religion can play in one's life.

Since the 70’s, Cyro Matoso is making films without any kind of sponsorship and a highly limited budget. He has enjoyed many years working with culture, developing his creativity and, above all, creating his art.

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

Created for the exhibit at the Annenberg Space for Photography.

Guerrillas In Our Midst takes a look behind the scenes of New York's blue chip art market, and reveals how a contemporary art movement is "created." The anonymous art activists, the Guerrilla Girls, provide a witty foil to SoHo's business-as-usual, protesting the underrepresentation of women and non-white artists with satirical posters and their trademark gorilla masks.

Messolonghi. A small coastal town in western Greece, marked by its historical past. During the Turkish occupation, it underwent a five-year siege (1821-1826), which ended in a heroic and bloody Exodus. According to eyewitnesses, gypsy drummers heartened the people of Messolonghi as they fought the Turkish troops. Today, the town is still inhabited by these two diverse social groups, the locals and the gypsies, who live together in peaceful co-existence, which is reaffirmed once a year by a unique communal celebration: the feast of Saint Symeon. Every year at Pentecost, locals and gypsies organize and participate in an exhausting five-day Dionysian celebration. Throughout the feast, the music is played exclusively by gypsies, creating an ecstatic atmosphere that cuts through social classes

The untold story of Israel's greatest tragi-comic talent, Shaike Ophir