Twenty-three years after the release of the original Beatles mockumentary, 'The Rutles: All You Need Is Cash', famous artists, actors and musicians speak out on how The Rutles influenced them.
A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.
The life story of Colin McKenzie, a forgotten pioneer of international cinema who was born in rural New Zealand in 1888.
Dr. Harvey Wallinger is one of Nixon's aides who rises through the ranks to become the "real" power behind the president. This short was produced as a television special for PBS in 1971 and was scheduled to air in February 1972, but it was pulled from the schedule shortly before its airdate as PBS officials reportedly feared it might adversely affect their government funding. The special never aired, but it can now be viewed in The Paley Center for Media and has been widely bootlegged online.
Chad and Angus (Tony Hale & Adam Pally) are pool store employees who share a passion for cosplay and faithfully reenacting major battles from Marvel comic book canon. This documentary examines the coworkers' devoted yet contentious relationship.
Töter als Tot
Spoiled rich girl, Claire Rivers, hires a camera crew to document her journey as she attempts to shed her ego and attain enlightenment.
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".
"Blood Effects" a mockumentary by film maker Kris Black, is a cross between "Paranormal Activity" and Christopher Guest's "Best in Show". Presented as a "movie-within-a-movie", veteran Bruce Reisman produced Black's scathing satire of Hollywood horror movies, where reality ties itself up with fantasy, and the results are both humorous and horrifying.
A female recording artist encounters the misogyny and outdated business practices of male record label executives.
A Glimpse Through The Bennington Lens follows Will and Ana, two journalist theater students at Bennington, as they interview faculty and administration members to get to the bottom of some uncanny events
A mockumentary made by Nicolas Frenzel's friends for his 23rd birthday, comically retelling the life of a fictitious Nicolas.
A crime documentary project gets hijacked by its subject.
Three student filmmakers run into trouble in the woods as they set out to make a documentary about the Blair Witch. This is a short parody of "The Blair Witch Project".
PEOPLE IN THE DRAGON, the new promise of Chilean rock, is finally invited to the biggest festival in America, but 2 days before the show their vocalist dies in an accident. The show tries to go on.
A young surfer enters his first contest, hoping a win will earn him respect. But an encounter with a laid-back local forces him to rethink his values.
In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps; explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town, the police are pretty relaxed about it all. Despite everything, main rival (but sweet) Amber Atkins won't give up without a fight.
Millionaire conservative Bob Roberts launches an insurgent campaign against incumbent senator Brickley Paiste, firing up crowds at his rallies by singing '60s-style acoustic folk songs with lyrics espousing far-right conservative social and economic views.
A mockumentary on the phenomenon of Western backpackers travelling in Singapore and Southeast Asia during the 1980s. Featuring real interviews and interweaving staged sequences simulating a travel infomercial, the video offers a light-hearted look at the clash of cultures. The film was produced by Singaporean actor Choo Hoh Yim (better known as Zhu Houren) in 1983 when he had just returned to Singapore from Hong Kong, where he was a script supervisor. Choo was working as a social worker and had intended to test out his new filming equipment. With a colleague, they headed to the streets to capture some images that eventually evolved into the idea of making the documentary.
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.