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CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

It may look like a Labubu unboxing, but it is actually an unpacking of socioeconomic trends...

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

Are we prepared for dealing with the prospect that humanity is not the end of evolution? Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human limitations. The director conducts his enquiry into the scientific, ethical and metaphysical dimensions of technological development.

“A Song Reborn” reveals the extraordinary 1994 reunion of Paul, George and Ringo, 24 years after The Beatles parted ways. A true collaboration became possible when Yoko Ono handed them an unfinished John Lennon composition. Crafted from never-before-seen studio footage, this short film captures the three Beatles rediscovering their bond as they shape John’s song into the GRAMMY-winning “Free As A Bird.”

Magical, autonomous, all-powerful… Artificial intelligences feed our dreams as well as our nightmares. But while tech giants promise the advent of a new humanity, the reality of their production remains totally hidden. While data centers are concreting landscapes and drying up rivers, millions of workers around the world are preparing the billions of data that will feed the voracious algorithms of Big Tech, at the cost of their mental and emotional health. They are hidden in the belly of AI. Could they be the collateral damage of the ideology of “Longtermism” that has been brewing in Silicon Valley for several years?

Things go awry when two filmmakers attempt to automate every aspect of their lives using ChatGPT.

Destroy All Humans is a documentary exploring AI’s rise in art and media through an existential, experimental lens. At its center is HOVERBORG, a fictional band whose AI-generated music sparked questions about creativity and authenticity. Through interviews with musicians, artists, and media professionals, the film reflects on the unsettling shift toward hyperpersonalized media and asks: In a world shaped by algorithms, will we still recognize ourselves in the art we consume?

The ancient Chinese game of Go has long been considered a grand challenge for artificial intelligence. Yet in 2016, Google's DeepMind team announced that they would be taking on Lee Sedol, the world's most elite Go champion. AlphaGo chronicles the team as it prepares to test the limits of its rapidly-evolving AI technology. The film pits man against machine, and reveals as much about the workings of the human mind as it does the future of AI.

The race for supremacy in the age of artificial intelligence is on: between the USA, China and Europe. Between big tech companies and start-ups. Who will win the competition? Will Europe be left behind? And who will determine a technology that will shape the future of humanity?

For some time now, The State Commission of the Lithuanian Language is at the center of tough discussions. For some, it’s an institution which safeguards the most important principles of the language, but for others, it’s an anachronism of the Soviet regime. This film offers a first-time glimpse into the commission’s work

A TV-hour length documentary film depicting the relationship between language, culture, place, music, tradition, and magic on an active volcano, in the Pacific nation of Vanuatu, on the island of Ambrym.

The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.

The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

Award-winning short film, Clankers, is an investigation into the sinister rise of AI-generated sex workers today.⁠ ⁠

Stephen Hawking has warned that the creation of powerful artificial intelligence will be “either the best, or the worst thing, ever to happen to humanity”. Inspired by Brian Christian’s study The Most Human Human: What Artificial Intelligence Teaches Us About Being Alive, the filmmakers set out on an international investigation highlighting the effects of AI - scenes from our daily lives destructive and constructive.

Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?

Futurists Martine and Bina Rothblatt commission an advanced humanoid AI named Bina48 to transfer Bina’s consciousness from a human to a robot in an attempt to continue their once-in-a-galaxy love affair for the rest of time.

Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.

Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate