Bigre, mélo burlesque

Le noir te va si bien

With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.

Sheffield, England. Gaz, a jobless steelworker in need of quick cash persuades his mates to bare it all in a one-night-only strip show.

Sir Tony Robinson takes a journey back in time to find out where Blackadder really began, and to uncover the story of the previously-unseen pilot episode.

Une clef pour deux

Nelson

De Gelaarsde Poes

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

The Lonely Island spoofs Jose Canseco and Mark McGwire in this visual rap album set in the Bash Brothers' 1980s heyday.

Stars celebrate Bob Hope's 50 years with NBC.

A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.

The Ultimate Dance Party.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

In this animated short, a terrible curse deprives Balthasar's kingdom of its stories. Taking the unicorn's horn back into The Belly of the Earth is the solution. Poppety will lead an expedition, by chance uncovering a hitherto closely guarded family secret.

Wenn schon - denn schon

Paul Reiser says, "I kid, I joke, I come from love". Actually he comes from N.Y.C., just 3 1/2 blocks from the Palladium nightclub where this riotously funny special was filmed. In this intimate showcase of his stand-up style, Reiser tackles such problems as sharing food at Chinese restaurants, finding your seat in a darkened movie theater, and pretending to know someone you don't remember.

Trixie and Monkey will stop at nothing to take their innovative circus-burlesque act to new creative heights. In pursuit of their dream, they relocate from Baltimore to New England to study acrobatics and trapeze. On the weekends they travel relentlessly to test-drive their act on stages as varied as Baltimore rock clubs, Vegas casinos, New York City theaters and beyond. Financial uncertainty, physical exhaustion and romantic tension are always looming; leaving them to wonder will they make it as artists, what success even means and will their love survive?

Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

Un chapeau de paille d'italie