Monster Encounters

One of Klahr's masterpieces, Altair is an 8 minute collage color -noir culled from late-40s pages of Cosmopolitan, which induces a sense of claustrophobia and dread through its use of Stravinsky's The Firebird.

Today, a butterfly can never be certain that flitting from flower to flower won’t cause major incidents…

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

O nome dele é Tiago

The misadventures of a hungry kitten.

Commodore 64 demoscene short film that showcases computer animation, art and music. Made in modern times on old Commodore 64 computers.

On the motives of Chinese legends. For adults.

A watchmaker's apprentice realizes that the perfect clockwork can be made only if he sacrifices himself completely.

A cardboard world where monkeys steal pickles and buildings change themselves. The film is a visualization of the city's rapidly changing neighborhoods, that still hold charm in the shop keepers and street musicians.

Theodore Ushev’s acclaimed 20th century trilogy concludes with this brilliant fusion of 3D and Russian constructivist-styled animation. Recycling elements of surrealism and cubism, this animated short by Theodore Ushev focuses on the relationship between art and war. Propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7), the film presents imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to Star Wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.

In this short animation, Oscar®-winning director Chris Landreth uses a common social gaffe - forgetting somebody's name - as the starting point for a mind-bending romp through the unconscious. Inspired by the classic TV game show Password, the film features a wealth of animated celebrity guests who try (and try, and try) to prompt Charles to remember the name. Finally, he realizes he will simply have to surrender himself to his predicament.

Gifted animator Leslie Supnet collaborates with Winnipeg storyteller Glen Johnson for this contemplative comic fantasy about a time-obsessed squirrel.

The Chaperone tells the true, previously untold story of a lone school teacher who fought off an entire motorcycle gang while chaperoning a middle school dance in a church basement in 1970s Montreal, Canada. Told from the first person unscripted perspective of the school teacher and DJ who were there that night, The Chaperone recreates the whole scene using hand drawn animation, miniature sets, puppets, live action Kung Fu and explosions all done in stereoscopic 3D. With over 10,000 hand drawings (many of which were colored in crayon by hand), an original blaxploitation score and featuring a cast of over 200 people, The Chaperone is an unconventional approach to documentary shorts.

Sonja lives a lonely life as a fishmonger, more at ease with her fish than her customers, until one day a delivery man turns up who looks like a rainbow trout.

This bone-chilling minimalistic animation film (made with black, white and red colors only) is voiced by the director herself, the Australian illustrator Anita Lester, whose grand-aunt had lost her entire family in Nazi camps and has then gone mad. Her confused, distorted, extrapolated memories full of despair and horror, of mysterious interiors and someone’s eyes, became the foundation of this impressive conceptual short film.

A kid and his teacher learn an important lesson: a grammatical mistake can create big trouble, but even a correction done the wrong way can cause senseless fears.