Angie Lemaire

Hazel, an employee at an internet cafe who’s a fan of Project Xandata (a real first-person shooter made in the Philippines) gets the attention of a pro team founder when Hazel beats her team single handedly in one night. Hazel’s game play goes viral, making her an instant sensation.

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

A recently broken up couple spends their last evening together: for one of the girls this is the last chance to revive their relationship, for the other – to show the true meaning of it and why it should have ended.

After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone’s attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there’s a hidden story behind her cheerfulness.

Aitana organizes a big Halloween party in her huge apartment in Madrid in the hope that her friend Cleo will come.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

One summer evening in a small town in France, two teenage boys, Clarinet and Piano, say goodbye. For twelve years, they rejoin each other at irregular intervals in the same town, discussing their ambitions as they drift apart. Michaël Dacheux's 'Here and There' is a delicate exploration of the eager aspirations of two young men, wise beyond their years yet still innocent in their experience.

Addison is a flamboyant, arrogant and hypersexual woman that can't pull women. When she is faced with an attractive stranger, her player façade begins to slip. She desperately tries to hold on to her queer identity.

In 1999, a teen girl keeps close tabs on a boy in school on behalf of her deeply smitten best friend – then she gets swept up in a love story of her own.

While the Second World War rages, the teenage Mahito, haunted by his mother's tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy's mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the "long-awaited one."

This particular summer, at an age that falls between childhood and young adulthood, while their grandparents are taking their afternoon nap, Keren and Noam play games in the attic ("Boydem" in Yiddish) that introduces them to a new level of intimacy.

Two teenage boys find a fugitive hiding out on an island in the Mississippi River and help him reunite with his lover and escape an avenging family and their armed posse.

Explore hidden desires on a sleepover, fall in love with the handyman and be seduced by a stranger on the beach as you discover why Love Is the Drug. Boys On Film 17 includes nine complete films: Nicholas Colia's "Alex And The Handyman" starring Keaton Nigel Cooke, Aaron Profumo, and Hogan Gorman; Dawid Ullgren's "Mr. Sugar Daddy" starring Bengt C.W. Carlsson and Aleksandar Gajic; Brendon McDonall's "Spoilers" starring James Peake and Tom Mumford; André D. Chambers's "Tellin' Dad" starring Carl Loughlin, Ricky Tomlinson, and Michael Byron; Eyal Resh's "Boys" starring Wyatt Griswold and Pearce Joza; Martin Edralin's "Hole" starring Ken Harrower and Sebastian Deery; Lorelei Pepi's animated "Happy & Gay"; André Santos and Marco Leão's "Pedro" starring Filipe Abreu and Rita Durão; and Anthony Schatteman's "Kiss Me Softly" starring Ezra Fieremans, Marijke Pinoy, and Marc Van Eeghem.

After suffering with the dire consequences of being in the closet, a group of lesbian friends forge a pact to deal with the dire consequences of coming out.

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

Once upon a time, in the evening of his Birthday, a boy got from his parents a strange gift: an Anvil from which he would never separate. An uncomfortable load to carry, which will make his life particularly troubled, preventing him from doing what he wants, and even from approaching the girl he loves. But we are in a fairytale... And in fairy tales, everybody get a second chance.

Childhood best friends Eelu and Manu waste their last afternoon together trapped in the local beauty parlour, drinking, napping and fighting.

La vie quand même (LIFE AFTER ALL) is another film in a series collectively called 'Tales from the Orphanage'. The story is simple on the surface (children coping with the sudden loss of parents), but in the hands of writer Sophie Tasma and director Olivier Péray this storyline unfolds a tale of brotherly love that is well worth watching.

Lia, a broken young woman, awaits an important call about a job response on her 22nd birthday, the first spent without her grandmother. While the cell phone doesn't stop ringing, Lia and her friends Tuco and Gael, get ready for an 80's themed party.

A teenager in an English town struggles to come of age, braving sexual awakening and fighting her controlling parents by refusing to eat...until a nightmarish ghost appears that may be real, or may be a deadly creation of her starving body.