Foreign Parts

The guided tours in the Reichstag building are well attended; there’s lots of laughter at the simulated vote on a bill. At the Bundestag’s “Infomobile” in Dresden, a citizen complains that the government is out of touch with the people. SPD parliamentarians attend a workshop to practise strategies for dealing with right-wing populist topics. A crowd chants: close the borders! Journalists from the taz and Bild-Zeitung newspapers discuss the issues of the day. An editorial team from TV station MDR produces a report entitled “Attack on Democracy – the New Right.”

A person enters the frame dressed up as a bird. In a dressing room, John Malkovich sheds the costume of Casanova. A young woman's skirt is just as orange as the beak of a zebra finch singing in a cage. White lilies stand at the foot of a statue of the Virgin Mary, red roses in front of the window of an SM studio. There the quiet game of submission in exchange for money, in a museum an embrace, a poem whispered in the ear. Children playing in a forest in autumn. A forest in summer, framed by light. An orgasm and a dance.

Jamilia is the heroine of the classic Kyrgyz novel about a young woman who, having been forced to marry, fled with her lover. Fifty years later, Aminatou Echard meets several generations of Kyrgyz women, resulting in portraits reflecting both the novel’s candor and the strength of today’s Jamilias.

Claire Simon portrays an important time for any individual, from 16 to 18 years of age. Set in the Paris suburbs in high school (for those lucky enough to go), teenagers chat after and even during class, sitting in the hallway or outside on a bench, looking at the city below them.

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.

Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.

The film follows the matrix of hierarchies and relationships involved in a transaction of seeds between the Norwegian town of Longyearbyen in Svalbard, an island in the Arctic Ocean, and the Bekaa Valley in Lebanon.

What might be revealed in the process of inviting strangers to act out and respond to 1970s feminism forty years later? Between 2015 and 2017, hundreds of strangers in communities all over the US were invited to read aloud and respond to letters from the 70s sent to the editor of Ms. Magazine–the first mainstream feminist magazine in the US. The intimate, provocative, and sometimes heartbreaking conversations that emerge from these spontaneous performances make us think critically about the past, present, and future of feminism.

Documentary film on events that happened on August 28th in African-American history, shown at the Smithsonian African-American History Museum.

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

A rich and extravagant Scottish Baron spends his time on outrageous cruise ships amongst romantic couples, wealthy families, hardworking staff and retired elderly. A floating micro-society appealing to some, revolting to others.

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

Filmmaker Emily Railsback and award-winning sommelier Jeremy Quinn provide intimate access to rural family life in the Republic of Georgia as they explore the rebirth of 8,000-year-old wine-making traditions almost lost during the period of Soviet rule.

As unrestricted development threatens water sources in Baja California Sur, Mexico, local peoples are beginning to push back against global business interests.

Inspired by the transformation of the sex-trafficking survivors whose lives she follows, the filmmaker finds the courage to break the silence about sexual abuse in her own life.

Catching Sight of Thelma & Louise dives off the edge into the truth of women’s experience in the world. It revisits the journey of Thelma & Louise through the lens of viewers who saw that iconic film in 1991 and shared intimate, personal, stories at that time. The same women and men were tracked down 25 years later. Are their responses different now? What has changed in the way women are treated?

The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.

A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.