Salvador

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

The divergent lives of twin brothers, Raúl, a violent policeman, and Valentín, a mentally handicapped man, cross paths again when the former decides to visit his family.

An artist encounters his muse in the surreal realm of his imagination.

Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.

Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.

Intrepid photojournalist Emanuelle arrives in San Francisco, where she briefly meets up with fellow journalist -- and fellow feminist -- Cora Norman, before being whisked off to India to investigate a guru con artist.

After 15 years, Mateo returns to the old textile factory to say goodbye to his recently deceased mother. Incidentally, he will have to spend time with his alcoholic father, whom he can't stand.

An adopted Irish American artist confronts her past when both sets of parents come together over a weekend for her to paint a family portrait.

A deranged artist who may have murdered his wife is investigated by the Whistler.

Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.

A depressed man spirals as he struggles to open up about his mental health. James, a mid-20s modern day man, has battled with anxiety and depression for an unknown amount of time. It’s unclear what caused is and the solution is even more ambiguous. While he has a loving group of friends and a caring partner, he cannot bring himself to open up, even when directly asked about it. This causes an inner conflict for James. He cannot speak about it, he can’t resolve his issues and the contemplative suicidal thoughts are too extreme to entertain. And so he is trapped with his life sentence, with his mind as his prison. He indulges in substance abuse and often imagines pretend scenarios to escape, but these fleeting feelings only make matters worse.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.

A young artist has a tragic accident but lives one dreamy last day visiting all the people in her life in New York City.

Popular Hong Kong actress Amy Yip plays Sister Har -- a seminal figure in 1960s and '70s Hong Kong nightlife -- in this biographical film that follows the scenester's rise and fall from the upper echelons of society to the glamour and excess of Hong Kong's teeming underworld. A truly fascinating portrait of the allure and excess that were part of the fabric of Asia's favorite playground.

Three troubled young girls will do anything to escape their stifling lives - even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

The depressed Sall (19) is going swimming with his friends after being isolated for a long time. He doesn’t know his place in the group and suffers from destructive self talk. Can he open up and reinvent himself or will he lose his friends because of his behavior?

A lonely, recluse sculptor must confront his inner turmoil and reckon with his romantic desires when his statue comes to life.

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

Based on the short story of the same name by Miguel Barnet, in which Fatima - the Queen of the night, a young homosexual and transvestite, who is a prostitute to earn a living, and to maintain economically to the man whom he loves. While facing all the complexities arising from their decisions. Born in the provinces as Manuel García, nicknamed Manolito, to whom the Virgin of Fátima appeared as a child moves to the capital Havana where he meets and falls in love with Vaselina, who encourages him to cross-dress and start a new life in the world of entertainment and prostitution.