We Were Here

Alma is a trans woman who was born in Santa Rosa, a small town in the province of Córdoba, Argentina. Before making the decision to change her gender, she served in the police forces of her province, married twice and had four children. At the age of 36, she decided to travel to the city of Buenos Aires to begin her transformation and gender reassignment process, thus fulfilling her desire to live her identity freely.

Philip, Lynn, Hussein and Shammy, young LGBT Ugandans, are fighting for survival. Staying in their country, where religious oppressions and discriminations prevail, endangers their lives. Then, their latest hope is to leave it all behind and experience a long and painful exile.

Love in a concentration camp. A young Jewish gay man, Otto, is protected by a "kapo" (a fellow prisoner) and an SS guard who unexpectedly ends up saving his life.

Legendary underground cartoonist Spain Rodriguez and his friends -- cartoonists Robert Crumb and Jay Kinney and cultural critic Susie Bright -- discuss Spain's art and his life as an outlaw biker, '60s figure and social satirist.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.

Richard Fontaine and Bob Mizer started the current exploration of the male nude in film and photography. The two shared ideas props and models and reinvented some of the sexual icons that we all still recognise today. The gladiator the sailor, the cowboy… Starting with posing-straps and graduating to nudes their "art studies" enlisted the talents of up-and-coming actors and bodybuilders. This film recalls that era.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

A mother discovers that her son has a disability that causes her breast milk to intoxicate him. But the discovery comes too late to prevent the loss of neurons.

Sebastién is a gay acrobat living for the thrill of the circus. Now the oldest acrobat in the troupe, he fears each show could be his last, as an uncertain future awaits. This beautifully languid documentary catches the final leap of a long, idyllic youth.

I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.

A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.

It is a sweltering day in Buenos Aires, Miserere square and the railway station are packed. Almost unnoticed, a group of guys prostitute themselves for little money. Their thoughts emerge, deadening the oppressive hustle and bustle of the square and the station. Miserere reveals an invisible problem: the prostitution of needy men in the big Latin American cities.

Sean and Adrian, a Two-Spirit couple, are determined to rewrite the rules of Native American culture through their participation in the “Sweetheart Dance.” This celebratory contest is held at powwows across the country, primarily for heterosexual couples … until now.

Inspired by the It Gets Better Project this documentary film follows the stories of three real-life subjects who are at unique impasses related to their identities as gay or transgender people.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”