TBIHA

The history of Amos, a town in Abitibi-Témiscamingue (Quebec).

The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.

Double Barrel follows surf and travel journalist Angie Takanami’s journey to Peru to document Peruvian surf guide Harold Koechlin’s dream of protecting Peru’s world-class surf breaks. After a chance meeting, the two compared tales of living through natural and human-inflicted disasters, and their dreams for sustainable surf development and tourism. Focussed in the oil-dominated town of Lobitos, Harold is working together with the local and international community and is determined to preserve the locals’ right to a clean ocean and environment to give towns like Lobitos a more sustainable future.

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

Raymundo Gleyzer's documentary on o community of Pottery Makers in the west of Cordoba province in Argentina who create pieces to sell to the tourists.

Do animals have feelings? Empathy even? A documentary with some insights due to advancing technology.

Raised in one of the most violent outskirts of Fortaleza, the Cruz brothers had their lives shaped by music to the point that their parents turned the house where they live into a school.

A deep dive into contemporary Brazilian music. Guided by the composer, anthropologist and ethnomusicologist Kilza Setti and the Hésperides Música das Américas nucleus, the documentary takes us to a world where contemporary music, the Guarani and Timbira peoples, the colonization of America and poetic professions meet.

Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.

This documentary follows three couples to see how things turned out several years after their weddings. The film presents challenging ideas about relationships, as it answers the question: Why is marriage so difficult?

Big Science - Was Tiere denken

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Mauss, segundo suas alunas

In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.

Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.

This is the story of Dona Virginia, an elderly woman who awaits the expropriation of her house. Year after year, the government threatens to destroy the place, her past and her memories.

The Fall of Womenland is a fascinating documentary on the unique sexual culture of the Mosuo people — a small minority situated in the southwest of China — and one of the last remaining matriarchal societies in the world. Without a formal marriage contract, the Mosuo traditionally build relationships based on free love and sexual satisfaction (‘walking marriages'). But can the sexual liberty and power of the Mosuo women survive as modern Chinese society slowly encroaches their ancestral land? The film explores the present reality for the Mosuo people as well as the dangers that threaten their inherited way of life.

Short documentary ordered by the magazine "Présence Africaine". From the question "Why is the african in the Human museum while Greek or Egyptian art are in Le Louvre?", the two directors expose and criticise the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.

Standing near the reptile section in a zoo for 26 minutes we can learn a lot about the animals on both sides of the separating glass.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.