I Don't Wanna Dance

Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...

When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.

Annie frantically flees Montreal for the US with her young son, Felix and teenage daughter, Sarah, fearing the repercussions after Sarah severely injures her school bully. When their car breaks down just outside a small town in the Adirondacks, the family is stranded. Paul, a single father and the town's lone mechanic, isn't able to fix the car until the following week. Annie's stubborn insistence to leave town at all costs comes head-to-head with Paul's unwillingness to give in. When Sarah realizes that her secret is out in the open, she runs away, forcing Annie and Paul to join forces to find her. When Paul's traumatic past is revealed, Annie realizes that she is not the only one running and comes to terms with facing the music.

Lola's dream of escaping her father's Sunnyside motel seems closer to reality when a young stranger checks in.

Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.

The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.

Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.

Lidia and her father, Pablo, return to the family lighthouse after her mother’s death. Pablo, aware of Lidia's fragile emotional balance, worries for a possible relapse after her suicide attempt. Lidia, annoyed by her father's lack of trust, will discover that something’s not right at the Lighthouse, and that danger awaits for them if they do not find out the truth.

When her joint family breaks apart, daughter-in-law Uma solves everyone's problems and unites the family again.

Explore the first – and only – time “demonic possession” has officially been used as a defense in a U.S. murder trial. Including firsthand accounts of alleged devil possession and a shocking murder, this extraordinary story forces reflection on our fear of the unknown.

A father with his younger son moves to Canada along with his family to live with his Canadian son and his family. Instead of adopting Canadian Culture, They started imposing their own way of living. The problems start when the culture of both family collides.

A Mexican American family, whose lives revolve around their legendary restaurant, prepares for their annual family reunion dinner oblivious to the fact that a shattered taco truck dream is about to change everything.

To-il tutors high school student Ho-hoon, but she soon falls in love with him and gets pregnant. The film unfolds a series of playful happenings when To-il embarks on a journey to find her birth father for the wedding, though she is living with her step-father.

A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.

When the mother of two adoptees is tipped off about the possible affair her husband may be having with one of their children, her sense of duty takes a macabre turn.

Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.

Three siblings attempt to reconcile over their mother's suicide, torn between mourning and greed.

Longing to experience more of life, twentysomething preacher's daughter Angie strikes out on her own for the very first time and joins a traveling gospel show.

A car magnate watches his personal and professional life hit the skids because of his business and romantic indiscretions.

Paropakari is a 1970 Indian Kannada language romantic drama film written and directed by Y. R. Swamy. It stars Rajkumar and Jayanthi. It revolves around the story of a self respecting young man who wins a wager with his wealthy father. The film was produced under Bhagavathi Productions. It had a very successful soundtrack composed by Upendra Kumar.