The Dying Cowboy

Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.

Lucky's band of outlaws holds a rich girl for ransom and plans a new series of robberies. Meanwhile, a peasant who was widowed by one of Lucky's men teams up with a Preacher/Bounty Hunter to plot a premature end to Lucky's lucky streak.

Kirk Allenby is hired by the Cattleman's Association to track down and arrest a rancher who they believe is stealing cattle. Allenby finds his quarry but is astounded to discover that that man, Bob Enright, looks enough like him to be his twin. He is forced to shoot Enright, but as the man lay dying he gets Allenby to promise that he will help Enright's sister, who is being forced to marry the real boss of the cattle rustling operation, who has framed Enright in order to take over his ranch.

Set in 1890, this is the story of a Pony Express courier who travels to Arabia to compete with his horse, Hidalgo, in a dangerous race for a massive contest prize, in an adventure that sends the pair around the world...

When he thinks his brother has let him down, a cowboy goes bad.

Sequel to the first Turkish Zorro film, Zorro kamcili süvari.

A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.

Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.

American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.

After a robbery gone wrong, three criminals turn against each other and embark on a blood-soaked bullet-riddled quest for cash and revenge. An unusual contemporary black-comedy western set in Australia, chock full of action and homage to the work of Sergio Leone.

Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.

Whenever it becomes known how good he is with guns, ex-gunman George and his wife Dora have to flee the town, in fear of all the gunmen who might want to challenge him. Unfortunately he again spills his secret when he's drunk. All citizens swear to keep his secret and support him to give up his guns forever -- but a boy tells the story to a gang of wanted criminals. Their leader threatens to burn down the whole town, if he doesn't duel him.

In a saloon shooting, a cowboy thinks he killed Prince Katey, a man he closely resembles. Cannonball arrives and thinking the cowboy to be Katey, gets him to return to the Katey ranch where the mother is in trouble. She thinks her missing son has returned and even though the Sheriff is chasing him, he decides to take up the mother's fight against the man who is trying to throw her off the ranch.

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

A young amateur illusionist has an encounter with his Bully, both face each other in an old-fashion duel.

A Mexican bandit is about to be executed in the United States, so his brother takes over a train and holds the passengers as hostages unless his brother is released. Now both the Americans and Mexicans are baffled as to what to do. One of the passengers — who wrote the letter for their captor — has a suggestion: call mercenaries Hank Brackett and Johnny Reech. They do, and as expected they do come up with a plan, but the president of the railroad is not sure if it will work.

A wounded European settler gets aid from a Native American but soon finds out that the same boy could be part of the slaughter of his entire family.

Two parallel tales of redemption, a century apart. In the New York storyline, Edge hunts for Angela's gold to pay back a debt, and gradually grows closer to her. In the Macedonian story, the brothers end up fighting for opposite sides of a revolution, with the religious Elijah taking up sides with the Ottoman sultan and gunslinger Luke joining "the Teacher" , a Macedonian rebel.

Bounty hunters seek shelter from a raging blizzard and get caught up in a plot of betrayal and deception.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.