Behold the Man: Ecce Homo

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.

On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.

Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.

Good night, Sarajevo is the story of a voice. The voice of the Bosnian journalist Boban Minic and Radio Sarajevo during the siege of his city in the Bosnian War . A voice that night after night moved its listeners away from the brutality. Today, guided by a new mission, Minic, returns to Sarajevo.

An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.

In September 2004, Himzo Muratovic returned from the dead. Himzo turned up in a taxi in his Bosnian Muslim village, 12 years after he disappeared at the height of the Serb terror. His mother fell unconscious when neighbors told her that her missing son had returned. For several days the village celebrated the return of the long-dead Himzo Muratovic.

A tale of victory of humanism over revenge motif. Amir Reko (nicknamed "Macedonian", but actually Bosnian Muslim by ethnicity), the ex-captain of Yugoslav People's Army, saved lives of 44 Serb civilians during the siege of Gorazde in 1992. He went through personal and professional temptation during the war, while plenty of other officers ended up in Hague or other international criminal courts across Europe.

Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

The war crimes trial of Ratko Mladic, accused of masterminding the murder of over 7000 Muslim men and boys in Srebrenica in the 90s Bosnian war, the worst crime in Europe since WW2.

In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

Shot in six European countries, it tells the story of the concerts given by cult underground band Laibach during the siege of Sarajevo back in 1995.

Sarajevo was under siege already 9 months when Radovan Tadic flew there with a UNO machine to take pictures of misery and destruction in a city, in which dread is part of everyday life. He lets people talk about their desperate situation and repeatedly the dismay about the hatred between former neighbors. We see pictures of a wedding, interrupted by gun fire, an emergency operation on a soldier is interrupted by a woman's delivery, children disassemble a theater to get firewood. -- A dramatic appeal against carelessness and forgetting.

Totally Personal creates a historical document both droll and touching out of Begovic and his family's memories, meditations, and observations. The history begins in the communist era, continues through the war that ravaged the former Yugoslavia and into today's post-war period.

A project of theatre-documentary on the Srebrenica massacre.

Bilja was seriously wounded in the 1992 shelling of Sarajevo. A French photographer took pictures of her while she lay bleeding and desperately begging for help; pictures of Bilja's wounds made him famous. Zbanic searches for Bilja and reconstructs the moment when news became more important than her life.

An attempt to erect a virtual memorial for the victims of the Bosnian war, using archive material, videos and statements from survivors in a 3D animation.

At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.