Behold the Man: Ecce Homo

In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.

Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.

A cellar-dwelling woman talks about her life to a camera during the devastating war in Bosnia.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.

The compelling stories of four young people as they struggle to survive a war that ended nearly 20 years ago. The physical conflict is over - but its psychological impact continues. Can they break the cycle of violence?

On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.

A project of theatre-documentary on the Srebrenica massacre.

Documentary which tells the story of a group of men and women who risked their lives to rescue a library - and preserve a nation's history - in the midst of the Bosnian war. Amid bullets and bombs and under fire from shells and snipers, this handful of passionate book-lovers safeguarded more than 10,000 unique, hand-written Islamic books and manuscripts - the most important texts held by Sarajevo's last surviving library.

Mladí muži poznávají svět

An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.

Sarajevo was under siege already 9 months when Radovan Tadic flew there with a UNO machine to take pictures of misery and destruction in a city, in which dread is part of everyday life. He lets people talk about their desperate situation and repeatedly the dismay about the hatred between former neighbors. We see pictures of a wedding, interrupted by gun fire, an emergency operation on a soldier is interrupted by a woman's delivery, children disassemble a theater to get firewood. -- A dramatic appeal against carelessness and forgetting.

The extraordinary story of Sanja and Zoran, a couple who in 1993 fled and survived the siege of Sarajevo, the longest war in 20th century history, to find refuge in Italy, in Turin. In their life experience, past and present come together to give voice to friendship and hope, reflecting on war, prejudice, tolerance and acceptance.

This film follows 3 friends who were in Sarajevo during the war as they go to the US for the 20th anniversary of the Dayton Agreement, where they ask questions and consider the impact of the agreement 25 years later, having fun on the way.

In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.

Bosnia was divided by war in the 1990s. The older population stayed while the younger population left. The film’s two mediums, documentary and animation, fluctuate along the border of two worlds, which separated time and historical events but are united by a longing for home and family. People are like dogs: they never forget their way home.

Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.