Motu Patlu: Mission Moon

Motu and Patlu are your home-grown Laurel and Hardy in an animation avatar. They befriend a circus lion, Guddu and attempt to save the jungle from a greedy poacher.

After a foreboding dream about aliens comes true, a fun-loving trio must prevent human intelligence from being stolen from planet Earth.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

This silent film opens with shots of a hand distributing charity from a silver plate to a waiting crowd and tells of the good king of Magadh's fight with his evil ministers. The king is poisoned by his brother, the evil Kalsen and the infant prince Chandrapratab, smuggled out by the loyal sardar Satyapal, grows up in a forest to become the acrobat Hamir (Hamir) in love with his partner, the beautiful Saranga (Pawar, credited as 'Ambu'). Saranga is kidnapped by Kalsen's son Ramanaraj , described as 'the perfect libertine', but Kalsen takes her away from his son and attempts to seduce Saranga with promises of wealth. The fearless Hamir fights dozens of soldiers, in amateurishly staged fights, trying to liberate her. In the end Saranga, rejected by her lover for having been tempted by Kalsen's promises of wealth, dons a mask and turns into a Zorr-type avenger. Hamir is eventually recognized by the royal tattoo on his shoulder and restored to the throne as well as reunited with Saranga.

Om, a special forces para commando officer, loses his memory while fighting enemies. After recovering from amnesia, Om is on a mission to save the nation from terrorists. As he fights the challenges the mission presents, he learns a shocking truth about his life.

Kumar Gandharav, a child prodigy who subsequently became one of the finest and most original geniuses of Indian classical music, was struck by tuberculosis at the height of his abilities. For years, he lay in bed, barred from using his lungs, unsure if he would ever be able to rise or sing again. Meanwhile, his senses were gathering sounds from nature, from distant folk melodies, and from every vibration of life. Sometimes he practiced, singing so softly that it was hardly audible beyond his bed. This film takes this single moment of him lying on his sick bed and expands it, where his life of music and contemplation moves like a dream. When he rises after six years in bed, with only one lung spared, he writes, sings, and teaches again, giving voice to the six long years of silence and bridging the old and new with visionary insights.

The grouchy Makhichoos, whoe hates Diwali, is digging furiously in the Dholakpur forest searching for a demon. Soon the demon emerges from the roots of a tree. Both the evil witch and Makhichoos plan to build a new kingdom on the eve of Diwali and teach Bheem a lesson. While Bheem and his friends are preparing for the celebrations, Chhota Hanuman also comes there to be a part of the festival. But something worse happens; Makhichoos and the evil witch kidnap princess Indumati. Will Bheem and Hanuman together rescue Indumati and triumph over the evil.

Once upon a time in a village a dacoit named Daku Mangal Singh (Ranjeet) harasses the villagers for lagaan, When Inspector-in-charge Vijay (Girish Karnad) gets transferred to that village he encounters Daku Mangal Singh (Ranjeet) and makes a plan to set the village free of the menace. This story is about five criminals who were taken by the inspector-in-charge Vijay for help to the village. Inspector Vijay take those criminals at his own risk as the higher authority denies his approval. Daku Mangal Singh also exploits women in the village. Does Vijay succeed in his mission.

A man embarks on a bloody rampage to save his kidnapped brother.

An atheist archaeologist turned believer must race against time to prove the true existence of the legendary Ram Setu before evil forces destroy the pillar of India’s heritage.

A retired policeman sees a killer he thought had been dead for twenty years, and the next night he is killed. The killer is blackmailing the head of a bank, and forcing him to participate in a robbery of his own bank. He is replaced by the son of the policeman, who is hunting for his fathers killer. A rarity in 70's Bollywood since it does not contain any musical interludes.

A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.

In search of his wife's killers a man arrives at Bhavani Junction

Elephant calf Appu undertakes perilous journey across ocean and treacherous forest to save father from poachers' grip, aided by loyal dog Tiger and runaway child Neena, uncovering his extraordinary abilities.

Khalid, entrusted with the task of eliminating former soldier turned rogue Kabir, engages in an epic battle with his mentor who taught him everything.

Amidst the bustle of a magnetic and multifaceted city, the budding love between two dreamers is tested by duty and religious divides.

Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.

Havaldar Balkar Singh, Captain Dhananjay Shergill and Lieutenant Sahil Naqvi are amongst numerous fatalities on India's side in the 1999 Kargil war against Pakistan. All 3 men had written their last letters to Kuljeet Kaur, Squadron Leader Vikram Singh, and Dr. Naqvi respectively. These letters were located 3 years later by IBN Reporter, Avinash Sarin, who entrusts them to two Indore-based slackers, Ali Shah and Sameer Suri, and asks them to deliver them to Chandigarh, Manali, and Leh respectively. Ali and Sameer set out to film this journey in order to get a graduation degree so that they can re-locate to America as well as televise it widely in order to convince the youth not to join any of India's armed forces.

Four friends meet an underworld don who, on his deathbed, clues them in on hidden treasure buried in Goa. The group race towards Goa, not knowing that their plans will soon be foiled, albeit hilariously, by a police officer, who is also after the money.

Sudha Mishra is 67 years old, divorced woman that leaves the responsibility of taking care of her house by Sumit, her niece’s fiancé. The most important instruction given to Sumit was to ‘Feed The Fish & Water The Plants’. His very acceptance into the family was dependent on this instruction. When she returns a month later to her Vasant Kunj house, everything seems to be in order till she opens the bedroom door and a woman wearing white, wailing loudly.