Mao Tse Tung: China's Peasant Emperor

Como a China encobriu a pandemia de COVID-19

La brèche

In the 1990s HIV/AIDS came to Wenlou through a blood purchasing program. To supplement their income many poor villagers sold their blood and 60% of those who sold blood contracted HIV/AIDS from unsanitary equipment. Many have died from the disease. In his documentary film, To Live is Better than to Die, Wiejun Chen tells of the impact AIDS has had in parts of rural China by showing how it has affected the Ma family. It is spring when the film takes up the family’s story.

Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.

Draussen bleiben

Su has set up a restaurant without a permit. Unsurprisingly, the authorities send him away. Su then decides to go back home to the countryside, where his wife and children still live. He isn't exactly welcomed back with open arms.

A true-story account of a German businessman who saved more than 200,000 Chinese during the Nanjing massacre in 1937-38.

China Tradition trifft Moderne

A cicada is resting high on a tree. It is chirping for all it’s worth and drinking in the dew, oblivious of a mantis behind. The mantis, bending over and arching up its front leg, is going to catch the cicada but does not know that there is an oriole beside it. The bird has stretched out its neck, ready to peck at the mantis. Again the oriole is unaware that a weasel is sneaking up to it. The three creatures all covet gains ahead without being aware of an imminent danger behind.

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

In 1375, China was in chaos between Yuan Dynasty and Ming Dynasty. Coryo (an ancient kingdom of Korea then) sent a delegation of many diplomats, soldiers and a silent slave to make peace with the new Chinese government. However, this delegation got charged as spies and sent in exile to a remote desert.

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.

A song is heard in the distance. It comes from the Hekeng village, famous for its ancient earthen buildings, also called tulou. It is where the last original Hakka families live amidst the exodus of those looking for a more modern environment. Among them there is Zhang Zhouyin, an elderly man concerned about the state of the village's temple; or her daughter-in-law, Wei Yi, who spends her entire day guiding tourists through these awe-inspiring houses. And then there’s young Zhang Weibo, her son, who manages to find joy even in the simplest of things... Hekeng: a place frozen in time whose songs have endured for centuries.

The director accompanies the German women's national soccer team.

The Chinese government is sponsoring a national campaign on "equal" education. UNDER THE SAME SKY documents school children in the city as well as the country to compare the two educational experiences. UNDER THE SAME SKY had been nominated for best short documentary at the 2017 Asian Pacific Film Festival, 2017 St. Louis International Film Festival, Long beach indie Film Festival and Los Angeles Chinese Film Festival. It's also been shown and won awards at 15 other film festivals around the world, including the Cannes Short Film Corner and The Impact Docs Awards.

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

In pre-unified China, the King of Qin sends his concubine to a rival kingdom to produce an assassin for a political plot, but as the king's cruelty mounts she finds her loyalty faltering.

The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since.