Third on the Left

Le Bourgeois gentilhomme

Major Galeazzo, Chancellor Enea, the goalkeeper Placido, journalist Antenor and others living in a building of the city. All are drawn to the morbid fascination of Mariolina, exuberant waitress Venetian. But soon Aminta, maid of color, dispossess irreparably.

Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.

A famous operette star Kirsti Kalpa escapes her busy and selfish fiance and hides as maid to house of 3 bachelors ( professor, composer and butler) , who basically hate women.

Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like "Machete" and "Hobo with a Shotgun", HOLY HELL is a modern take on 60's and 70's B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.

A car electrician, Charis, spends all his money on tailors in order to give the appearance of a "lord". He constantly fights with his brother, Vasilis, who is also a day laborer (painter), saddled with all the joint expenses of the house. Charis believes that his looks will someday attract a rich wife and thus change his life and solve all his problems. Martha, however, the wealthy daughter of the shipowner Karapezis, falls in love with and marries his brother Vasilis (after he saved her life) without regard for her father's opinion or Vasilis' lack of money.

A longtime maid for New York socialites watches from afar as the daughter she once gave up is raised by others. Director Arthur Greville Collins' 1935 film stars Ruth Donnelly, Anita Louise, Margaret Lindsay, Warren Hull, Frank Albertson, Arthur Treacher, Ronnie Crosby, Henry O'Neill, Lillian Kemble Cooper and Gordon Elliott.

The summer vacation of a young beautiful girl, at her uncle's country villa.

Past and present collide when aimless slacker Hannah gets hired to portray Lady Wadsworth -- a Southern belle from the 1800s -- for tours at Wadsworth Manor. Hannah figures she can fake it well enough, until the ghost of Lady Wadsworth appears and tells her it's time to change her wild ways -- or she'll haunt her forever.

It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.

Susana is an unappreciated, naive and somewhat clumsy orphan who has lived since she was a child at doña Engracia's house, because her mother died a few days after she was born. In this house, which also houses three nephews of doña Engracia without a penny to one's name, Susana is the maid of all. Economic necessities lead Engracia to rent a room. Felipe, a handsome man with a bad reputation, will reply to the ad.

A playboy pretends to be a paid escort in order to court--and test the moral character of--a young British socialite. Comedy.

A wealthy playboy surreptitiously romances a scullery maid to gain access to her mistress with whom he is in love, but doesn't count on the maid falling in love with him.

Set in the 1950s, this prequel to Keeping Up Appearances looks at the life, relationships, and aspirations of 18-year-old Hyacinth. Long before she becomes Mrs. Bucket (pronounced Bouquet), young Hyacinth is already dreaming of matching china and a bedroom in pastel shades. If only her family were more like the upper-class Cooper-Smiths in whose home Hyacinth works as a maid.

Verónica, a prostitute who works under the orders of El Cangrejo, tired of her life as a sex worker, runs away with a client who promises to change her life forever.

A juror at a murder trial is convinced the defendant is innocent.

Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.

The title character is a resourceful young man who knows a whole little about a whole lot of things, and who concentrates by playing his saxophone. Clarence ingratiates himself with the wealthy and eccentric Wheeler family, though daughter Cora can't stand the boy.

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.

Society matron Mrs. Livingston Baldwin Crane is selected as a juror in the trial of former chorus girl Yvette Gordon, who's accused of murdering her rich older husband. In court and during deliberations, Mrs. Crane proves to be a disruptive and unorthodox juror.