GUILT

Immediately after his death, the victim of a car crash gets answers to every question he's ever had about his life, including the most import one of all – what did it all mean?

Jimmy Arnaud eulogizes his mother.

A teenaged girl and her father are living their lives in a crashed spaceship, separated by a pane of glass. She begins to receive static-crackled radio messages from her mother, whom she long believed to be dead.

The hands of a puppeteer control the bodies of two dancers who compete with each other.

As a funeral procession advances through a dusty town in the Paraguana peninsula, a young man rides his bicycle through the crowd. A beautiful woman stands apart from the crowd and gazes in wonder as the young man rides away. A child, the town's fool and the woman go after the Bicycle, each character with his own motivation. Enraged with indignation, the men also follow the cyclist through the town and onto the desert seeking to kill him.

Some things must die to live.

Avoiding uncomfortable pauses in a conversation is an art. Creating such moments in a conversation is a job, more precisely, this is White's job. In this whimsical musical short, dance along with White, a man who interferes in conversations at appropriate - or quite inconvenient - moments.

On their way home by bike through a deserted industrial area, a mother and her son starts to talk about what happened when our dream of eternal economic growth collided with the peak, and following decline in global oil production. In a sad but quite plausible picture of the near future, our children make us accountable for today's irresponsible way of living.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A student movie loosely based on the short story by Sadegh Chubak

When Sergio’s little sister asks him for the definition of sex, he revisits a memory from years ago, in which he discovers a secret in his family.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

A young mother tries to reclaim her son by tap dancing in the streets of Vladivostok, Russia.

In a hotel overlooking the Sea of Japan, six disparate stories inter-connect giving time a shape, like a series of liquid transparencies, one laid on top of another. Murder, sacrifice, betrayal, longing and regret weave into a tapestry of souls remembering and forgetting.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.

Kerry is a train driver and on sick leave due to a trauma at work. While roaming the train network to make sense of her tragedy she meets a man who understands her and knows what she needs.

Quand elle tombe

Rome. Claudio is 15 and wants to be part of the clique. He admires the 18-year-old leader Lauro. If he wants to fit in, he has to lose his little boy smell and learn to smell like a man.

Against the backdrop of a European cityscape, worlds intersect when a woman and a man on separate travels meet, or rather, collide on the screen. Their affects mingle, creating a zone between their bodies in which something happens: intoxication, stillness, desire and love. Something that is neither one nor the other's, but a third creation between dreaming and being awake, where possibilities are held and lost. This is URDA / BONE.