Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
A man comes home and wants to go to bed. A bunch of noisy roommates. A crowded city in southern China.
A young mexican smuggler and a little girl travel illegally on top of a cargo train, called La Bestia, to get to the USA. An injury transforms his perception of the journey.
A child fishing in a puddle using bananas as bait catches a bigger fish than he can handle and flees with the giant fish in pursuit.
An elegy to a love affair that has gone sour, a fond farewell to that most beautiful material that has subjugated our planet – plastic.
Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.
As Seolgi is lying on a grass field with friends, a shooting star falls, and dark, intrusive thoughts hit her. Her melancholy blooms into bright and colorful "flower people," dancing and wishing for a meteorite to end the world.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
A mysterious cult performs an ancient ceremony, inviting an otherworldly power into their earthly realm.
Fantaisie érotique
The bond between a father and a daughter is imperilled by matters that go unspoken and hurts that are slow to heal.
During a very hot summer, Emma (15) is doomed to boredom at her grandparents's house. She's dying for something to happen. At the edge of a pond, she hides to observe The Young Man. She develops a brief but intense obsession for this fantasized stranger.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
The director Misha Tumelya and animators Sasha Dorogov and Alexandr Petrov presented this short to Roy E. Disney as a tribute for the 60th anniversary of Mickey. A little over two minutes in length, the cartoon shows a young boy in black silhouette going to a line that divides the screen image in half. It is like a mirror with the young boy on one side and the classic black and white Mickey Mouse in black silhouette on the other side.
The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.
According to the justice of the Wild West, thieves must be punished. But when the sheriff's horse breaks, and there is no-one to oversee justice, it's hard to forecast if justice stays justice.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
One morning, a magical rock appears in the backyard of a kindergarten. As soon as the children find it, a magical adventure starts, which can soften even a greedy professor.
A troubadour is expelled from the city when the queen sees his disfigured face. The palace guards smash his instrument as punishment, but the musician does not lose his determination to continue making music.