Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".
A mysterious cult performs an ancient ceremony, inviting an otherworldly power into their earthly realm.
A young worker ant lives dissatisfied with her destiny and dreams of a different existence, outside the community. But a fortuitous event causes her to be expelled from society, and then she begins to long for her days in the anthill.
Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.
A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.
The residents of a flat building are completely self-absorbed and never look out their window to see a chicken frequently fluttering by. The chicken has a nest on the roof where she hatches her eggs. One day the eggs get stolen.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them …
After a summer camp, Anna and Manon decide to go live on the beach so they never leave each other.
Aline and her mother Chanda live together in a French suburb. Aline discovers that a parent-student reunion is coming up.
Fantaisie érotique
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.
The bourgeoisie is having a celebration in a round room where eating, sipping, and dancing is followed by dancing, sipping and eating. This could go round and round forever.
In a town where the adults live on ground level and children refuse to come down from the treetops, a series of interviews sets out to discover - what is it exactly that the generations misunderstand about each other? This animated documentary highlights the absurdity of childhood, adult-ness, the internet, and generational gaps.
The first sequence of the Hearst Castle was rotoscoped from Steven Lisberger's film and animated in Cosmic Cartoon. Lisberger did much of the matte painting, figure rotoscoping and airbrush painting, and Eric Ladd did the Earth rotation animation.
The story follows Oskar and his two brothers, Jonathan and Lukas, during the 90s, in the outskirts of the Swedish city of Gothenburg. Their father is the local priest of a quiet church and he brings his kids there every Sunday. On this particular Sunday, Oskar doesn’t like what his father says about faith. He and his brothers sneak out to play games in the forest instead. Oskar wants to play a game that has nothing to do with religion, where he has powers of his own. They launch into an anime schoolgirl fantasy frenzy of killing imaginary monsters with laser beams when some older kids find them near the edge of a tall cliff. They bully the brothers, forcing them to confront how weak their faith actually is. Oskar is conflicted: should he stick up for his faith or admit it’s not real?