Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.
During a very hot summer, Emma (15) is doomed to boredom at her grandparents's house. She's dying for something to happen. At the edge of a pond, she hides to observe The Young Man. She develops a brief but intense obsession for this fantasized stranger.
Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
A child fishing in a puddle using bananas as bait catches a bigger fish than he can handle and flees with the giant fish in pursuit.
Two neighbors in the dollhouse become aware of each other on the holidays.
An emotionally haunting and visually beautiful experience, ‘Ciervo’ tells the story of a young girl who holds violence, submission, and independence in an uneasy balance as one morphs into the other.
Voila le plan
The bond between a father and a daughter is imperilled by matters that go unspoken and hurts that are slow to heal.
První sníh
Two lovers in shifting waters.
The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.
A boy conjures the stars out of yogurt.
Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them …
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)