The Lone Wolf

Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.

Two estranged siblings, a botanist and a magician, come together to try and raise their mother’s body from the dead.

To lift the spirits of her friend Mélanie, Lou brings her on a camping trip to a lone fortress on the sea. As Lou hides her little romantic secrets, Mélanie lingers in her ruminations. One morning, a solitary and enigmatic figure appears and draws Melanie into a fantastical encounter.

One man’s guilty conscience will soon breed a world of insanity.

A new superhero is coming, only this time it's on his terms. Will he still be considered a hero?

The end of summer. A young couple goes down to an isolated beach. As Thomas goes for a swim, Anna, sitting on the beach, suddenly loses sight of him. When Thomas finally comes out of water, something has changed.

The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary's Baby, between its half-open doors and a phobia of fluids.

A near-dead town, an encroaching overgrowth, a mysterious tower, a camera, a voice. Across 299 photographs a man who may be the filmmaker, and yet might not be real, relays a story that may not have happened, about a place that almost definitely exists.

A man lives in a labyrinthine city, populated with people with the exact same face as his own. Until one day he meets someone with a completely different face.

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)

The Heretic is a short film created by Unity’s Demo team. With ”The Heretic”, the team used every aspect of Unity’s High Definition Rendering Pipeline, created advanced effects with the VFX Graph, and undertook the challenge of creating a realistic digital human.

A living person and a ghost balance their long distance relationship.

A 30-year-old American woman enters a teenage party in the South of France. Some of the guests wonder who she is and what she is doing there.

Local boy, Peter, is trying to find the source of the metallic sound that haunts the village. When he shares his footage with an old woman it sparks memories of a bear that roamed the hills during her childhood.

Walking in her home, Evelia experiences the past, the present and the future at the same time. In the symbolic life she leads, governed by the god Janus, everything around her seems to speak to her, until random visions are born poetic. Through the trance state that awakens the inner gaze, Evelia's anima connects with the anima mundi. Simonetta's eyes is about the memory that a person will leave behind; Evelia tells the viewer, with the language of the gaze: "one day, we will only be memory".

Private Detective H. Gibson loses a case-file for the first time in his decade-spanning career. He decides to try to solve the mystery, of what it is he is supposed to be investigating.

A disturbed young man pushes away his exurban family to seek wildness in the woods. The boy's urge for the primitive manifests in his bedroom at home and in a wild dog he follows through the countryside.

Todd and Cindy, possessive parents, decide to install a baby cam, the most advanced child surveillance system. But later, they discover that the cam cannot decode their child's fear.

After discovering his mother crying, a boy is stalked by unknown presences.

Dave Borthwick's award winning film made while a student at Bristol University's RFT course in 1977.