In Qing Dynasty, Chen Xiang and Liuli became maids and friends in the imperial palace. Liuli wanted to be famous whereas Chen Xiang just wanted to live a normal life. Liuli attempted to change her life by knowing the prince, even at the cost of betraying Chen Xiang.
A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.
This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.
Jimmy Barnes arrives from Europe to be educated by his multi-millionaire uncle, Edward J. Barnes and in five years the extravagant escapes of Jimmy, now a lawyer, are the talk of San Francisco. Linda Gray is a mouse-like secretary to the elder Barnes who has fallen in love with Jimmy, but he favors actress Constance "Connie" Marlowe. Mr. Barnes dies and leaves everything to Linda but he has urged his partner, Alexander Duncan, to plan things so that Jimmy and Linda will get married. Coached by Duncan, Linda accepts the inheritance and announces that she is departing for New York on a wild spending spree. He tells Jimmy that the will can be broken but only after many months and he suggests that Jimmy follow Linda and curb her spending or there won't be any money left. In New York, Linda hires Jimmy as her private secretary. Connie also arrives in New York, as does the ingenious Baron Rene de Montigny with the intention of marrying the wealthy Miss Gray.
Set in the 1950s, this prequel to Keeping Up Appearances looks at the life, relationships, and aspirations of 18-year-old Hyacinth. Long before she becomes Mrs. Bucket (pronounced Bouquet), young Hyacinth is already dreaming of matching china and a bedroom in pastel shades. If only her family were more like the upper-class Cooper-Smiths in whose home Hyacinth works as a maid.
Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.
After being discharged from a mental institution, a man is tasked by his mother to revive a struggling supermarket in Limoges. He must navigate unexpected responsibilities and the challenges of managing the store's staff.
Both the maid and the youngest daughter are after the same man who wants nothing to do with either of them.
Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
Past and present collide when aimless slacker Hannah gets hired to portray Lady Wadsworth -- a Southern belle from the 1800s -- for tours at Wadsworth Manor. Hannah figures she can fake it well enough, until the ghost of Lady Wadsworth appears and tells her it's time to change her wild ways -- or she'll haunt her forever.
Hyman Goldberger, the president of film studio Super-Colossal Pictures, is in trouble--his major backer is threatening to stop financing his pictures. He finds a group of six wealthy individuals who may want to become investors in the studio if his disgruntled backer pulls out. Unfortunately, his bumbling runner Albert picks that day to invite six of his street musician friends to be in the film that is currently shooting at the studio, and Hyman mistakes them for the potential investors. Complications ensue.
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.
Sunshine Susie was a remake of the German film Die Privatsekretärin, and retained many of the originals general characteristics. Renete Muller who starred in the original, was again cast as the country girl seeking fame and fortune in the big city. She takes a secretarial job at a bank, and sets about catching the heart of her boss, Herr Hasel.
Jim is hardly thrilled when his new bride, Ellen, invites an old friend, Randy, over for dinner. Yet Jim turns genuinely dismayed once Randy arrives and turns out to be an insufferable, boorish braggart with bad manners and little self-awareness. That dismay turns to outright annoyance when Jim realizes Randy thinks he has come to stay for the weekend. How much damage to a marriage can one unwanted guest do in the space of one weekend?