Jim is hardly thrilled when his new bride, Ellen, invites an old friend, Randy, over for dinner. Yet Jim turns genuinely dismayed once Randy arrives and turns out to be an insufferable, boorish braggart with bad manners and little self-awareness. That dismay turns to outright annoyance when Jim realizes Randy thinks he has come to stay for the weekend. How much damage to a marriage can one unwanted guest do in the space of one weekend?
An acerbic critic wreaks havoc when a hip injury forces him to move in indefinitely with a Midwestern family.
Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
Jimmy Barnes arrives from Europe to be educated by his multi-millionaire uncle, Edward J. Barnes and in five years the extravagant escapes of Jimmy, now a lawyer, are the talk of San Francisco. Linda Gray is a mouse-like secretary to the elder Barnes who has fallen in love with Jimmy, but he favors actress Constance "Connie" Marlowe. Mr. Barnes dies and leaves everything to Linda but he has urged his partner, Alexander Duncan, to plan things so that Jimmy and Linda will get married. Coached by Duncan, Linda accepts the inheritance and announces that she is departing for New York on a wild spending spree. He tells Jimmy that the will can be broken but only after many months and he suggests that Jimmy follow Linda and curb her spending or there won't be any money left. In New York, Linda hires Jimmy as her private secretary. Connie also arrives in New York, as does the ingenious Baron Rene de Montigny with the intention of marrying the wealthy Miss Gray.
A photographer takes up newsreel shooting to impress a secretary.
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.
The title character is a resourceful young man who knows a whole little about a whole lot of things, and who concentrates by playing his saxophone. Clarence ingratiates himself with the wealthy and eccentric Wheeler family, though daughter Cora can't stand the boy.
Madge Winton (Marion Davies), a beautiful secretary, makes herself look homely in order to avoid advances by lecherous bosses. When her new employer, writer Freddy Matthews (Robert Montgomery), accidentally sees her without her disguise, she has to pretend to be her roommate Sadie.
An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.
Two ne'er-do-wells, Washington and Jefferson, just out of prison are looking for jobs so they won't get arrested for vagrancy. They find out that the wealthy Mrs. Brown is looking to hire a butler and a maid, and Jefferson talks Washington into dressing up as a woman so they can get both jobs. They get the jobs, but they soon run into Bad News Johnson, a crook they met in prison. They find out that Johnson is planning to pull a con on Mrs. Brown and he wants them to go in on it with him. Complications ensue.
When Miss Vicki's father dies, she becomes the world's greatest philanthropist. Unfortunately, she is flat broke! Her loyal butler, Claude Fitzwilliam, leads the household staff to rob from various businesses by charging goods to various wealthy people and misdirecting the shipments, all to keep Miss Vicki's standard of living.
A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction. The vampire continues to visit and drink his blood, and as his madness deepens, it begins to look as if some of the events he's experiencing may be hallucinations.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
A shy office worker becomes a hero when a fortune teller calls him another Napoleon.
Elmer Whippet inherits the Whippet Pickles company and sets out to meet the two stars, Mary Reynolds and John Stowe, of the radio program sponsored by his company, as he thinks their on-air quarreling is real. Two former associates, Jules Kinsey and J.M. Snow cross him up by substituting Susan Blair, an office secretary, for Mary and Elmer thinks the show's writer Paul Stevens is John.
Le Bourgeois gentilhomme
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.