Mummy Punjabi

An old music store that sold vinyl records is closing down in Mumbai. Shweta, an intern at an online music magazine works on her first feature story about the closing of the store. In an almost empty shop, she finds years of memories. The old man and his nephew who run the store become the subject for her story. Shweta discovers a diary of song lyrics Vivek had hidden away from the world. The shy musician in him finds them incomplete. She inspires him to continue making songs. While the story of the shop ends, another story begins for Vivek and Shweta, that of love and music.

Four women from Delhi, NCR and Gurgaon, tired of dealing with the incessant fear or rape, decide to teach one man how it feels to be afraid of being raped, on a daily basis.

Officer Shivani Shivaji Roy is stationed at Kota where she goes against a ferocious serial killer who rapes and murders women.

An atheist archaeologist turned believer must race against time to prove the true existence of the legendary Ram Setu before evil forces destroy the pillar of India’s heritage.

Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

In 1991, the Government of India opened up the economy and unleashed the forces of globalization, forever changing the landscape of the country. A dozen years later, India was celebrating its emergence as a global economic super power. Set in 2004, in the midst of a nationwide 'India Shining' campaign, the film Mantra tells the intimate story of a family and its travails, and through it, the story of the New India. The protagonist of the film is Kapil Kapoor, the founder of an iconic Indian snack brand in the 'License Raj' old India. But today - in 2004 - he is fighting a losing battle against a multinational that has taken over the market. But it is not just his company that Kapil is desperately trying to save; it is also his own wife and children who are battling their own crises.

Naive, simple-minded, and illiterate Bhaskar Sarnaik (Amitabh Dayal) comes to Bombay from his far-off village, to look for his missing brother, Raghuvir. He comes in contact with Sub-Inspector Gokhale (Om Puri), who feels sorry for him, and not only offers to find his brother, but also employment at an Irani Restaurant. Bhaskar does find his brother - in the morgue - but decides not to tell his mother as this may break her heart. He decides to stay on in Bombay and undergoes training to become a police officer. A short time later he is also a Sub-Inspector working closely with Gokhale. He is wounded in an encounter, and his mother comes to look after, and gets him to marry Aditi (Nandita Das) from the same village, which Bhaskar does so.

Upcoming hindi movie

A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.

Reincarnated 30 years after being killed in a suspicious on-set fire, a small-time actor is determined to punish the person who ignited the blaze.

An ambitious girl achieves her goal of leading a glamorous life and landing the man of her dreams but not without a price to pay.

Based on true events, Ajmer 92 tells the story of the grim plight of as many as 250 girls who were trapped, sexually exploited and blackmailed for years by caretakers of Ajmer Dargah, including many influential men in the area and Indian National Congress leaders in the city of Ajmer in Rajasthan in 1992.

A young real-estate broker tries to pull off a huge scam, which goes horribly wrong. To fix everything he involves his begrudging wife leading to an end neither could imagine.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.