While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.
An up and coming Foley artist is hired to create sound effects for a horror film, but the job triggers forces that goes beyond what's on the screen
A film director and sound designer discover a disturbing sound cue hidden in the mix of their short film, forcing the director to confront demons from his past.
This animated short follows an unwanted baby who is passed from house to house. The film is the Canadian contribution to an hour-long feature film celebrating UNESCO's Year of the Child (1979). It illustrates one of the ten principles of the Declaration of Children's Rights: every child is entitled to a name and a nationality. The film took home an Oscar® for Best Animated Short Film.
In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.
Two Foley artists provide live sound effects to an action scene.
Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
An experimental film originally shot as a camera test in 2010 with sounds only consisting of foley.
Short documentary revealing how the sound effects were created for Maddin's film "Brand Upon the Brain".
This film explores the distant relationship between an elderly amateur musician, the woman who lives in the apartment above him, and the leaky bathtub that is bothering them both.
Elham, on the day she wants to sell her gold to buy a house, realizes that her diamond necklace is missing at the jewelry store. She suspects Shahab, the upstairs neighbor, who came to their house in the morning to see the ceiling of the room and bathroom that had leaked, but…
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
Anne Edmonds floods her bag at least twice a week and becoming a mother hasn't helped this. This is Anne's long awaited return to the stage. Kick back and for god's sake, let's laugh.
An intelligent forensic officer starts investigating a murder, but he faces a slew of challenges as he suffers from nyctophobia. Will he be able to solve the case?
Sobre tus huellas
Mathieu is a young and talented black box analyst on a mission to solve the reason behind the deadly crash of a brand new aircraft. Yet, when the case is closed by authorities, Mathieu cannot help but sense there is something wrong with the evidence. As he listens to the tracks again, he starts detecting some seriously disturbing details. Could the tape have been modified? Going against his boss' orders, Mathieu begins his own rogue investigation - an obsessional and dangerous quest for truth that will quickly threaten far more than his career...
A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish