While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.
A film director and sound designer discover a disturbing sound cue hidden in the mix of their short film, forcing the director to confront demons from his past.
An up and coming Foley artist is hired to create sound effects for a horror film, but the job triggers forces that goes beyond what's on the screen
Henrique's melancholic life becomes a stage for mysteries and suspicions after a dark night in the industrial suburbs of a forgotten city.
In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.
Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
In the final days of the year 1999, almost everyone in Taiwan has died from a strange plague that ravished the island. As rain pours down relentlessly, a single man is stuck with an unfinished plumbing job and a hole in his floor. This results in a very odd relationship with the woman who lives below him.
This animated short follows an unwanted baby who is passed from house to house. The film is the Canadian contribution to an hour-long feature film celebrating UNESCO's Year of the Child (1979). It illustrates one of the ten principles of the Declaration of Children's Rights: every child is entitled to a name and a nationality. The film took home an Oscar® for Best Animated Short Film.
SOME COLORS
Elham, on the day she wants to sell her gold to buy a house, realizes that her diamond necklace is missing at the jewelry store. She suspects Shahab, the upstairs neighbor, who came to their house in the morning to see the ceiling of the room and bathroom that had leaked, but…
An experimental film originally shot as a camera test in 2010 with sounds only consisting of foley.
This film explores the distant relationship between an elderly amateur musician, the woman who lives in the apartment above him, and the leaky bathtub that is bothering them both.
Two Foley artists provide live sound effects to an action scene.
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
Short documentary revealing how the sound effects were created for Maddin's film "Brand Upon the Brain".
As Archie Foley, a sound effects editor, lays dying in the hospital, his life is replayed in his ears.
Anne Edmonds floods her bag at least twice a week and becoming a mother hasn't helped this. This is Anne's long awaited return to the stage. Kick back and for god's sake, let's laugh.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.