Forced to wear quaint short dresses and pigtails so that she will inspire her grandfather's sentimental poetry, nineteen-year-old Joy Havenith longs for companions of her own age.
The Country Cousin
The Baron Lafitte is in love with and proposes to Adelaide Burton, daughter of Andrew Burton, a wealthy manufacturer. Clara Lane, a newspaper reporter, has been assigned to watch the movements of the Baron. She is further instructed to make a scoop of their movements. Tom Drake is in love with Clara, and is her persistent follower throughout.
Etta Lang, a chorus girl, is the principal support of an invalid mother and her sister and brother, not only working at the theater, but looking after their small boarding house. Among their lodgers is Brutus Bellamy, an old actor. He becomes interested in the girl, and offers to teach her acting. She learns rapidly. She arrives at the theater late and is abused by the stage manager, Joseph Burton. Cecil Wentworth, one of the backers of the theater, takes her part and becomes interested in her.
As childhood sweethearts, David Horton and Beatrice Elton are inseparable. Fifteen years later Beatrice goes abroad and while there is heartbroken to learn that David has married Margaret Forsythe, a social climber, Margaret starts to entertain on a lavish scale.
Jovial and big-hearted, Jim Brice, of the Howard Detective Agency, is sent to trap bribetakers in a nearby city.
Lilian is engaged to an older man in poor health when she meets his son Michael, whom she falls for. Due to a misunderstanding between the two, Lilian leaves after her fiance's death. Years later, Lilian becomes known around town for her "loose morals," but what happens when she runs into Michael again?
You shall not commit adultery. Also known as Sins of Love.
On the promise of marriage, Sylvia Smith, a simple girl from Lone Meadows, follows her lover to the city only to discover that he already has a wife.
Rachel becomes the leading actress in the Comédie Française through the patronage of three influential men: Baron Hartman, the wealthiest man in France; Count Vareski, a relative of Napoleon; and Dr. Durande. All three men are in love with her, but she throws them over when she falls in love with Raoul Duval. A lost film.
Seventh entry in the Leather Pushers series of two-reel shorts.
Kane, who does not want his father to know he is a fighter, thinking he objects, nearly loses the fight when he sees him at the ringside. In the end, it is the words of encouragement from his father which causes him to win. It develops that the "Kid's" father has known it all the time and has been getting reports on his son's prowess in the ring. Eighth episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Kid Roberts, the champion, thoroughly beats a tough Westerner (from Chickasha, OK) who follows him from city to city, determined to get even. The man taunts the Kid, by insisting that he is afraid to fight without gloves. Finally his wife appears and begs the Kid to refuse to fight her husband because he is neglecting his ranch and family. The Kid's sweetheart and the ranchman's wife do some scheming and succeed in ending the fights, but not until the Kid has beaten his opponent with his bare hands. Ninth episode in the first 'Leather Pushers' series of two-reel boxing shorts.
The "Kid" is in the studio playing the star role in a "super-feature." The director gets his cast to put extra snap into the big scene by making each of the fighters think the other is double crossing him. 10th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Eleventh episode in the first 'Leather Pushers' series of two-reel boxing shorts.
13th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
14th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Fifteenth entry in the Leather Pushers series of two-reel shorts.
16th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
18th episode in the first 'Leather Pushers' series of two-reel boxing shorts.