1948
Banderas victoriosas (Trailer)
Estampas guerreras. Número 2
12 DE MAIO DE 1937
Ciudad de la Selva - Runaways & guerrilla in the forests of Casaio
1937. Pepita and Mari Carmen spend every afternoon together trying to cope with the loneliness of the war. Between buttons and balls of yarn they talk about life, desires, dreams and love, but that afternoon they did not know what destiny had in store for them. In the end, they will prove that life is like sewing and singing... everything is a beginning.
Eterno
This documentary reflects on the disappearance of lesbian bars in the United States.
From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Ondi Timoner follows Paul Westerberg around his hometown of Minneapolis during the making of his third solo album, Suicaine Gratifaction.
An interview with director Stanley Kubrick's longtime executive producer, Jan Harlan (Barry Lyndon, Eyes Wide Shut) in which he discusses the filmmaker's legacy.
In this video piece, British director Ben Wheatley (Kill List, Sightseers) explains what makes Stanley Kubrick's films unique, and discusses some of his favorite scenes from The Killing, the framing of different scenes, the basic challenges Stanley Kubrick must have been presented with because of the film's limited budget, the indelible images he created.
Packed with drama, high emotions and cliff-hanger moments, Australia Says Yes is the intimate and personal history of struggle and perseverance that propelled Australia to say Yes to marriage equality. The film shows how a group of determined individuals fought tirelessly against unjust laws that treated LGBTIQ people as second-class citizens, creating a movement that saw them go from criminals to legally equal over the course of five decades.
Depicting a transvestite who worked for a family without them knowing her gender.
FROM THE NAKED EYE CINEMA - INTRODUCING MR. DIANA, a video short documenting the arrival of controversial comic book artist and illustrator Michael Diana–the hottest astral flame to scorch New York City's creative underbelly–to New York City. Mike's soft spoken, gentle character is in sharp contrast to the harsh illustrated images of bloody sexuality he creates. His persona combines the raw innocence of Melvile's Billy Budd with the lusty ingenuousness of Voltaire's Candide. The video features the "three faces of Mike": Artist, Political Scapegoat, and Object Of Desire. Explore the territory "Inside Michael Diana", as the film makers survey his surfer-buff physique.
Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.
Pascal, Miranda, Jeremy and Franziska are real gypsies. They're between 17 and 25, love big powerful cars and have decided to live on the move. Like many other young Yenish people. They need freedom and fight for it. They show a world closed to the sedentary. A different but very Swiss life. Today's Romanis: disenchanted, close to reality.
Ever wondered how Senna's races came to life in the limited series? This behind-the-scenes look reveals how the cast and crew made them happen.
Sidarta Ribeiro, a Brazilian neuroscientist, explores how dreams and other forms of access to the unconscious can transform human experience. In his research, he proposes combining the ancestral knowledge of indigenous peoples and people of African origin in Brazil with scientific knowledge, as well as a scientific reevaluation of experiences with hallucinogens.