La Polla Records - Levántate y Muere

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

A short Doc/Music Collage of the DIY shows at Taqueria El Picante. Featuring bands from all around DFW, Houston, Chicago, and Canada too. During editing, it became a story about Alli, Pat, and good ass music.

A documentary that explores the challenges that a life in music can bring.

The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

Video collection of live performances by THE STALIN in Shinjuku during the 1980s indie era.

After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.

Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

God Save the Queen: A Punk Rock Anthology

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.

"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

With music by The Cardboards, The Shakes, Hans Brinker and The Dykes. By combining semi-fictionalized and documentary material, this film is as definitive a record of the Pittsburgh punk scene during its nascent underground as anyone could hope for. Beroes' band footage is radical departure from the gimmickry of stereotyped rock band documentary in its use of pans and slow dollys, capturing small glimpses of the musicians at work that a 'PR' film would have avoided at all costs. The cinematography demands a reconsideration of the rock band documentary's hoary technical vocabulary. From the time this film was made changes have already taken place in Pittsburgh punk-dom as the bands have moved from an insular salon society to more 'legitimate' venues. Some say things are better than ever, others mourn the passing of Pittsburgh punk's innocence. Beroes in Debt Begins at 20 has produced not only entertainment, but also a small and very precious time capsule.

New wave geniuses who helped define an era with their quirky, futuristic, and revolutionary style are back, entertaining the Japanese crowds who love them as much today as they did 25 years ago. Devo have been through a lot over the years, developing their parody of humankind's plight of conformity in their theory of devolution after member Gerald Casale witnessed the Kent State killings of student protesters in 1970, but they haven't wavered in their innovative sounds and pioneering visuals.

In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.

The Complete Jam serves up a staggering 49 performances, divided between 16 promotional videos (previously available on the |Video Snap VHS collection), a seven-song excerpt from a 1980 live show, and a staggering 26 more drawn from the best of the band's television performances, ranging from their U.K. debut on Marc Bolan's fondly remembered Marc through to their nine-song farewell performance on The Tube. A couple of entertaining interviews, a photo gallery, and a short (and, sadly, very poorly narrated) documentary on the band's history complete the portrait.

Public Image Limited provide a monumental live performance at London's Heaven, showcasing tracks from the new album. The (London) Times commented "This was an evening of uncompromising art and music; worthy of the total concentration of the audience. There is a PiL in Heaven was released as part of the 'This is Public Image Limited' limited edition 2 disc (cd/dvd) set.