Sonzai Zone is a speculative fiction film on intimacy and loneliness after the normalization of ambient communication media. An unlikely encounter between Yún and Souvd takes place in a near-future where social interactions are largely based on the mediation of human presence, known as ‘Sonzai-kan’. Shifting between XR games, Immersion Arcades and spatial home displays, their insidiously orchestrated relationship escalates into extreme idealization. Meanwhile, Souvd’s ex-girlfriend Ntzumi launches into undercover investigation.
A brief look into the disruption of expectations and also jackets.
From turbulence to stillness, light and matter pass through a succession of transformations. Amid shifting particles and luminous forms, chaos gradually gives way to revelation.
100FIN
A post-dubbed, micro-budget, horror-sci-fi anthology consisting of five tales woven together by the hallucinatory mind-melding of ceremonial slime drinking humanoids from another dimension.
A landscape film about winter.
Thirty-six layers of water aligned to create a perfect circle. 2 of 2
Punto De No Retorno
Short film stitched together using unrelated clips from Dec 2025 and Jan 2026.
Apocalypse
A short film about Comet Lodge Cemetery and the many souls bound to haunt the small patch of land with a brief segment revealing their faces and memories, then shifting to focus on a particular ghost by the name of M.W Lovejoy who appears and goes through his mourning ritual which he is cursed to repeat for all eternity.
An ambient representation of depression with a slowly fading score building towards an uncertain climax.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
After a painting arrives at the door a dark force enters the home as well.
A short film that poetically explores the sterile landscape of music consumption in the streaming era.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.
A sun-soaked body in need of relief enjoys a euphoric late afternoon at the beach.
SHOWTIME
A young man goes through his everyday routine until he realizes that he is completely alone.