Rogério Sganzerla Send His Message to Brazil

Brechó Brasil

Balcão

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

Crônica de uma casa vazia

"Celso: a portrait, a place" is a documentary that emerges from a year of sporadic visits by the documentary filmmaker (until then a convinced agnostic) to the Capuchin complex, a block that is, among other things, a place to preserve the memory of the Capuchin friars in the Serra Gaúcha, southern Brazil. The daily life of the space and the ramblings of the charismatic friar and artist Celso Bordignon are interspersed in an attempt to contemplate aspects of religious life, art, and the awareness of the nuances of the action of time on matter, body and spirit.

Gerais da Pedra

Goiânia Rock City is a must-watch documentary for music lovers who want to dive into the history of independent rock in Goiânia, a scene that stirred up excitement and even made waves internationally. The film explores Goiânia’s music scene of the 2000s, showing how iconic bands, cultural venues, and festivals helped transform the city into a true rock hub.

Through cinema, it is possible to recognize situations and think about them theoretically from other perspectives. Inspired by the discussion of the classic text by Mariza Peirano. The film uses excerpts from Brazilian filmography to reflect anthropological concepts such as culture, politics, ethnographic field and identity.

In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.

A group of friends hangs out at a bar, having fun and drinking beer.

The documentary presents an overview of Vladimir Carvalho's cinematographic career, from the very beginning, as a co-writer of “Aruanda” (1960), directed by Linduarte Noronha, to the present day. With Vladimir himself as the main narrator and illustrated by scenes from his films, the documentary also features interviews with Gilberto Gil, Orlando Senna, Arnaldo Carillo, Dácia Ibiapina, Fernando Duarte, Sérgio Moriconi, among others.

MARCIANO

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Abrição de Portas

Tapajós Ãgawaraitá

Raiz e Alma

Seventh art is unique addresses people's relationship with a movie theater or film. What feelings do they feel? What changes in you when you go to the movies? It also addresses Jair Bolsonaro's harsh criticism of culture and cinema in Brazil.

The 1948 South American Championship, won by Vasco, the first continental world champion. In the absence of period records, radio commentary was recreated, and the highlights were animated. The trajectory of CR Vasco da Gama up to that point: the fight against racism, São Januário as the country's main sports and social arena, and the culture dominated by Vasco fans.

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!