Rogério Sganzerla Send His Message to Brazil

Documentary short film covering two survivors of the argentinian military dictatorship.

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

Gutierres

A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Cine-Guarany

Bastidores do Botafogo Campeão da Conmebol Libertadores 2024

The 1948 South American Championship, won by Vasco, the first continental world champion. In the absence of period records, radio commentary was recreated, and the highlights were animated. The trajectory of CR Vasco da Gama up to that point: the fight against racism, São Januário as the country's main sports and social arena, and the culture dominated by Vasco fans.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Dos Antigos aos Filhos do Amanhã

Documentary about Brazilian actress Sandra Bréa.

Abrição de Portas

Barreiras: Histórias e relatos de pessoas com deficiência frente ao capacitismo

Gerais da Pedra

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.