After indulging in much delinquency in his youth, seventeen-year-old Antoine Doinel is now an upstanding member of society working for Philips Records, which allows him to indulge in his love of music. At the Youth Concerts, he has noticed the same young woman at several performances. She is Colette, and the two begin to date. Colette treats Antoine like a buddy, while Antoine has fallen in love with her.
Stop-motion photography blends with extreme slow-motion in Clair's first and most dada film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
SEUL
Throughout her entire life, Rose has followed her passion for dance by using it as a singular method of communication essential to connect with her surroundings.
In this tale, halfway between reality and fantasy, a mysterious narrator tells us the story of Amani, a young boy passionate about dance. But as the night begins to rumble, Amani’s joie de vivre disappears to give way to his pain.
Two trajectories of exile intersect for a short moment somewhere in a simple room, where two men, two strangers, will finally be able to face their own destinies.
Les mots bleus
Les derniers jours
Marguerite Paquin lives in a seniors’ home where 14 nuns from her religious congregation have succumbed to COVID-19. The film takes us from the grandeur of the landscapes of Côte-Nord, Quebec, where Marguerite has worked for 47 years, into the room where she sits confined today, finding a sort of liberation through prayer and unshakeable solidarity with her sisters who are suffering.
Désiré