Voudoun Gods on the Slave Coast

After Awesome Tapes From Africa's Brian Shimkovitz found the energetic, ecstatic music of Ghanaian musician Ata Kak, the tunes became beloved around the world. It was all unbeknownst to the artist himself -- his music was even unknown to those living in his hometown in Ghana. Years of tireless searching ensued, and eventually the Los Angeles-based label owner found a lead. Ata Kak - Time Bomb follows the search that Shimkovitz undertook as well as the visit to Ghana that took place once he found him. It is a celebration of great tunes and how, when it hits the right audience at the right time, music can touch people in a way that you never imagined.

About the sensuality in Swedish folk dance and folk music. A film that blends dance, fiction and documentary material into a heated, rough and skin-like expression.

A tramp falls asleep in the woods. He dreams of observing a range of insects that stand in for various human characteristics in terms of their lifestyle and morality: the flighty, vain butterfly, the obsequious, self-serving dung beetle, the ants, whose increasingly mechanized behavior leads to a militaristic society.

A story of a dance crew and their long-suffering wanderings to bring together their dreams, after a long audition process.

A short film written by Hussain Manawer about 2020 and mental health.

When best friends Benji (Peter Carroll) and Ruben (Nick Trivisonno) decide to make a film about the man on the moon, they don’t realize they’re signing up for the end of the world as they know it. But when a love triangle develops on set and the lines between reality and fantasy start to blur, the boys must reckon with their developing feelings for each other or face an uncertain future. Produced by and starring high school students from Interlochen Arts Academy in Interlochen, Michigan, HOW THE MOON FELL FROM THE SKY AND NO ONE EVEN NOTICED is a testament to the power of young artists who work together to achieve what no one thought possible.

Frank Albertson's father wants his son to marry Lois January, but they really are only friends. Frank watches Lois doing a hooch dance at a secret tropical ritual, and he quickly changes his mind and falls for her fleshy charms.

Somewhere between a music-video, a documentary and a fantasy - created with and around a Toronto-based acting-collective called LUSTR.

Instructed teaching of social dances for the new millennium in dancing school Urska in Ljubljana.

And The Heads Keep On Movin

“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.

A tale about the search for new sensorial experiences and territories. It’s a teaching and learning experience through body exploration and manipulation: two strangers dance with their passion, desire, gestures and contact.

The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. The ballet Ghost Light by John Neumeier deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories, and emotions experienced during the pandemic.

Stepping is a dance form that can be found across the country at virtually every college with a substantial African American enrollment. Stepping is performed informally during parties as well as more formally during organized step shows. This film explores this tradition, its historical roots as well as its contemporary forms, styles and uses, to understand how students construct various levels of identity through this dance form…African American identity, fraternity or sorority identity, gendered identity and personal identity. The film goes behind the scenes with the Alpha Phi Alphas as they prepare for a step show that is only a few hours away. Cutting between this show and interviews with current and past steppers as well as footage from previous shows, the film provides a broad picture of this vibrant and dynamic dance form.

It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,

In this remarkable video, "The New Dance Group Gala Concert: Retrospective 1930s-1970s" viewers will enjoy viewing dances of some of the most influential Modern Dance pioneers including: Mary Anthony, Ronne Aul, Talley Beatty, Valerie Bettis, Irving Burton, Jane Dudley, Jean Erdman, Eve Gentry, Joseph Gifford, Hadassah, Sophie Maslow, Donald McKayle, Daniel Nagrin, Pearl Primus, Anna Sokolow, Joyce Trisler, Charles Weidman.

The stripper Tony and the naive enthusiast Anthony, two entertainers, destined for the big time, who are mismatched in a casting office from two very different online contests.

In a waiting room, people exchange glances, bump into each other and become impatient with the situation before starting the dance. This film translates onto the screen the choreographed tensions between the characters, overcome by panic or madness.

A quickfire portrait of the New York City ballroom scene in the ‘80s.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.