For the First Time

Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.

Clarise, an OFW mother in Japan, and her desire to have a husband and father for her children. One day, Clarise bumps into Henry, ridiculed and rejected. Then, they meet again in a plane going back to the Philippines. Here, an accident happens. Clarise wakes up and finds herself in an island with Henry, who now has amnesia. Clarise takes advantage of the situation and introduces herself as his wife. She makes him believe that they have been married in Japan and they are on their way to the Philippines to get married in church. After being saved, Clarise then introduces Henry to her family and friends. Will Henry learn to really love Clarise? Or, will Henry find the truth about Clarise's lies? What if Henry learns that Clarise is his "illegal wife?"

The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.

Andrea, a young and charming florentine mechanic in the 1950s, romances five beautiful women simultaneously, enjoying life without really committing to anyone, but in the end who wants to grasp all lose all.

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Three uplifting stories of faith, compassion and courage provide the framework for this inspirational film. First, Jocelyn (Maricel Soriano), a victim of the mudslides in Leyte, finds strength in the face of tragedy; next, a family's adoption of a neglected young boy brings healing; and in the final chapter, widower Rudy Abad (Cesar Montano) decides to build a village in the Philippines in memory of his wife, who died in the Sept. 11 attacks. - Maricel Soriano, Cesar Montano, Ricky Davao

Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Could it be that Nicanor is the man who will destroy their lives?

Dra. Baby Holmes is a veterenarian who left her long time boyfriend after she discovered he has been deceiving her. Realizing that her biological clock is ticking fast, she desperately searches for the perfect guy who will mary her. Roberto “BOY” Reye is a single fireman with a son born out of wedluck. Generous to a fault, Boy is considered a small town hero. Every time someone needs help, the entire neighbourhood runs to him. By chance, Baby saves Boy’s life and to show his gratitude, he offers her anything in return, She then asks Boy to give her a child. Boy thinks she’s just joking but Baby is dead serious. However, Boy discovered that he is beginning to love Baby and her many quirks. Unable to bear the guilt, Baby suddenly leaves him.

Tomboyish Zsa Zsa (Klaudia) has just taken over a big business where Federico is a part-owner. Federico wants to buy Zsazsa out but she refuses. So he loses control of the company and hires Bobby to win Zsazsa's heart and later sell her stocks to him

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

A happy marriage goes wrong when the husband is accused of raping his stepdaughter who eventually died. The wife, feeling hopeless from the courts, takes justice into her own hands.

"#Y" chronicles the adventures of the members of a generation made universal by social media, internet, sex, drugs and alcohol.

Six men. Six failed marriage. One wedding to restore their faith in second chances. This is the bittersweet saga of six men who have separated from their wives. Inspired by true stories, their parallel and overlapping tales offer six different portraits of the failure of monogamy in a society where divorce is supposedly not an option. Ironically, fate and circumstance bring them together at a church wedding, where one of them takes a second chance at marital bliss.

A grandfather is on the brink of bankruptcy and brings his grandchildren back to the community that made nd shaped him, only to find that the place is no longer the same.

It follows Apol who is a writer and a diner waitress who falls for a customer who already has a girlfriend. She then gains the ability to turn back time which she uses to go back to the ay she first meets Ozzi.

A football coach takes his team of teenage boys out on a fieldtrip to the provincial home of his grandfather. But instead of bonding as a team, the boys are more caught up with their gadgets. The coach’s grandfather is determined to change all that as he challenges the boys to detach from their virtual distractions and explore the great outdoors instead. The boys then unlock a new world of natural wonder and discovery, realizing that going offline is the only way to reconnect back to a life that is unplugged.

Laya is a young professional photographer who has drifted away from her family. Her father has fallen ill, but she hasn’t once come to visit him at the hospital. Her mother, who left their family when Laya was a child, returns to urge Laya to make amends with her father, but Laya’s pain goes deeper than her mother suspects. Laya is sent to the provinces to document a ritual of a disappearing indigenous tribe, and there, she inadvertently comes face to face with her own demons as she observes the relationships of the last remaining members of this dying culture.

In a small town devastated by calamity and chaos, Elias, still holds on to the one thing he considers sacred a shiny red coffee mug. For him, this mug not only symbolizes his love for coffee but his hope for a better life. After an enlightening encounter with a strange sari-sari store owner, he is suddenly gifted with the ability to tell the future. Soon enough, he is proclaimed as “The Coffee Psychic” and personifies hope for the townsfolk. But can hope truly spring eternal in this comedic homage to the award-winning epic Filipino film, “Himala” (Miracle)?

A mother who writes children’s storybooks, ironically, doesn’t have enough time to create stories for her own son. The restless child finds a chance to create his own stories when his grandfather, comes up with a game. They fill an old milk can with pieces of paper, each containing a word which will be a “story-starter”. Tales of heroes and villains, magic and places fill up the child’s imagination. But the child’s made-up story is in need of a happy ending. Now, it depends on the storyteller mother to create the greatest ending of them all.

In a Chinese community in downtown Manila, we meet a man who has floated through life with his ladylove by his side. But now, times have changed as he begins each day waking up alone on his bed made for two. He realizes that his coffee has it better because, at least, it has a creamer to be its mate. In these moments, he misses his beloved the most and decides to get his act together for a second shot at the greatest thing in life love.