Alice Cooper

Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally cut together from film that was shot for Dim Sum, which was conceived as a film about the ways in which five women of the Chinese diaspora—three American-born, a naturalized citizen, and a recent immigrant—try to balance their personal goals and the expectations of the Chinese American community in which they live. The original story line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the film was edited together to create Dim Sum Take-Out, an eleven-minute film made up of narrative segments intercut with music video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back."

A look inside the underground punk rock scene in Osaka, Japan. With live concert footage from SK8NIKS, Flat Sucks, PiPi, By-Pass, Low Card de la morte, C.W. and more.

Steely Dan, recorded live at the National City Pavilion, in Cincinnati, OH on July 13th, 2008

During the summer of 1977 The Runaways took the unsuspecting nation of Japan by storm becoming the fourth most popular imported musical act behind Led Zeppelin and The Beatles. Unfortunately most of the available video footage from their two month tour is of fifth or sixth generation bootleg quality.

The last years of Freddie Mercury (1946-1991), rock legend and frontman of Queen, a band that conquered the world of music in the seventies and eighties: what was his lifestyle and the path that led him to a tragic death due to AIDS when he was only 46 years old.

Nine Inch Nails: Lollapalooza 2014

THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.

A documentary film about a tour of three Finnish rock bands around Saimaa lake system in a steam boat in 1981. The bands (Juice Leskinen Slam, Eppu Normaali and Hassisen Kone) are shown playing songs in their gigs and, in between, the members give intimate interviews or just act plain silly and have a good time.

YES is one of the world s most influential, ground-breaking, and respected progressive rock bands. On August 12th 2014, YES performed two of their most popular and storied albums of their catalog in their entirety, all in one concert: Close to the Edge and Fragile at the Mesa Arts Center in Mesa, AZ. A must for all YES enthusiasts as well as a wonderful introduction to new fans of the band.

Teenage musicians travel to England's Spike Island in the hope of attending an outdoor performance by their favorite band, the Stone Roses.

With an intimate look into the band's life, this concert documentary is about the farewell concert of cult Hungarian band 'Kispál és a borz'.

The Brazilian band Made In Brazil is featured in Guinness World Records as the group with the largest number of formations in the history of rock and roll. Also, no wonder, since the late 1960s, brothers Oswaldo and Celso Vecchioni have shared stages and studios with more than 200 groups of different musicians. This is their story, filled with rock and roll, some drugs and a lot of love for music.

In celebration of the 50th anniversary of Grateful Dead, the "core four" original members - Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir - reunited at Chicago's Soldier Field on July 3rd, 4th and 5th for the most anticipated concerts in recent history. Joined by Trey Anastasio, Jeff Chimenti, and Bruce Hornsby. Fare Thee Well: Celebrating 50 Years Of Grateful Dead is the original members' last-ever performance together nearly 20 years to the day of the last ever Grateful Dead concert with Jerry Garcia, which took place at the same historic venue.

Many-many words have been written and a few ingenuous TV documentaries have been filmed about the great Russian rock band Auktyon (АукцЫон), which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music façade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: “You should not look at the liberty too much, you might feel dizzy.

With special guests and stories and from those who where there, see, hear and feel the music from first-hand accounts of the Glam Rock Kings of the 1970s: Slade.

Muse, the world renowned multi-platinum selling and multi-award winning band, embarked on their ambitious Drones World Tour in 2015-16, playing over 130 dates across the globe. Known for pushing boundaries in terms of their stage production the tour saw the band perform “in the round” from the middle of the arena, with the stage design and configuration giving fans a full 360 degree audio/visual sensory experience.

This is a film about touring musicians who don't care about making it in the music business and all of the hardships they face without the fame.

A self-destructive punk rocker struggles with sobriety while trying to recapture the creative inspiration that led her band to success.

Illinois Power Pop gods rock Chicago's Navy Pier during Chicagofest 1981. A monumental performance that solidified their standing as one of the USA's greatest Rock bands of all time.

As Rudyard Kipling says, "He who rides the tiger finds it difficult to dismount," screams Jason Ringenberg as the band rips into "Self Sabotage," the first cut on a two-disc that captures this seminal band live in concert. Over the next 23 tracks, the Scorcher prove they're still on the beast's back, digging their spurs in its sides.