Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.
Shirley MacLaine was the product of a strict middle-class background from which she and her brother, the future actor Warren Beatty, escaped into the fantasy world of show-biz. Her ballet training and her long-legged pixie charm led to rapid success on Broadway in musical comedy. Inevitably, Hollywood called and by 1955 Shirley was cast in Hitchcock's "The Trouble With Harry." It wasn't too long before the fine dramatic roles also came to her opposite the most popular leading men of the time, like Fred MacMurray, Jack Lemmon, Frank Sinatra, Clint Eastwood and Robert Mitchum.
Île de la Cité, spring 68. Between two demonstrations, a group of young people testify about police violence.
Herbarium
Several high-budget epic films became Omar Sharif (1932-2015) a film star. He was an actor, but also a bridge player, a womanizer, a bon vivant; he was a man full of contradictions, who enjoyed card games more than movies; he was an eternal nomad who spent half his life in a hotel.
A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.
Guy Debord's analysis of a consumer society.
The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.
Counter Shot: Departure of the Filmmakers
Hosted by John Carradine, this tape is a compilation of scenes from and previews for various exploitation films.
A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."
Omnibus: François Truffaut
Slaves of Sin
A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.
A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Eight American men of different ethnic backgrounds discuss homophobic prejudice against gay men in the United States, sharing their fears and personal experiences of bigotry, demonization, and ridicule.
A documentary on the life and career of Victor Fleming, director of such iconic movies as The Wizard of Oz and Gone with the Wind.
Legendary Spanish actor and director Jacinto Molina, also known as Paul Naschy, tells the mythical story of Waldemar Daninsky, the cursed werewolf, his most iconic character; a relationship that began in 1968.