Flames

A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

Professional photographer Jamie's quantum physicist boyfriend Isaac has gone missing, and is presumed dead. Haunted by his disappearance while attempting to continue with life as normal, Jamie gets more and more wrapped up in figuring out exactly what happened, and is convinced that his disappearance has something to do with Isaac’s research into parallel dimensions. She continues to pursue him until she collides with a shattering revelation.

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife. Based on a true story.

Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.

A drifter lives in people's houses while they are away and repays them by doing chores for them. His life changes when he meets a beautiful woman who wants to escape her unhappy marriage.

A gambler discovers an old flame while in Argentina, but she's married to his new boss.

New York City tenement dwelling neighbors Blondie and Lottie are longtime best friends. When Lottie makes the cast of the Follies and moves up in the world, she arranges for Blondie, as well, to join the cast and gain the advantages. But the friendship goes awry when Lottie's sweetheart, wealthy Larry Belmont, falls for Blondie and she for him.

A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.

Taking place approximately three years after the events in Friends, Paul and Michelle follows the family of Paul Harrison and Michelle Latour-Harrison after they have been reunited. Paul has to cope with the difficulties he faces balancing work, college, and trying to maintain their family as well as a new love interest for Michelle.

Industrious accountant David Martinaud claims to be visiting his parents every weekend, but it's merely a cover for the labor-intensive refurbishing of his country cottage. The reason for David's secrecy is that his childhood crush, Lise, lives nearby, and, although she's married, he still believes they'll get together. His devotion to the idea borders on mania, and, when Lise's husband is accidentally killed, he quickly spirals out of control.

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.

In a fading seaside city, a forgotten notebook becomes the unlikely thread connecting two lives. One, burdened by the weight of their memories, fills its pages with raw emotions about lost time and fractured dreams before discarding it. The other, driven by curiosity, discovers the notebook and sets out on a journey to trace the stories it holds. Through its pages, a haunting reminder echoes: “If the whole world forget, never forget. If the whole world forgive, never forgive. Gone, but never forgotten.” As their paths unknowingly cross in shared spaces, both must confront whether to remain anchored in their histories or let go and move forward. A poetic exploration of memory, loss, and renewal, “If We Ever Forgot” asks: can we ever truly leave the past behind?

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Pascale leads a lonely life with her adult sons François and Thierry at a rural estate subsidized by her ex-husband's alimony payments. When Pascale falls for neighbor Jan, she makes plans to move in with him. But Pascale's twin sons -- loafers who treat her like a servant and refuse to accept the responsibilities of adulthood -- won't let her go. The family remains locked in a stalemate until someone makes a startling move.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi.

A man faced with a future decides to go back home, one last time