Obselidia

Alma lives a humble and secluded life behind the walls of a contemporary Catholic convent in Denmark. As she prepares for her perpetual vows as a nun, her older brother Erik unexpectedly shows up. He is a recovering alcoholic and clearly depressed, yet Alma struggles to show him mercy, as his presence unearths a family secret she has desperately tried to suppress. With the ceremony impending, Alma begins to lose her footing and doubt whether she is worthy of the love of her God.

Billy falls madly in love with Nilo, but discovers that her great love is polyamorous. Explosions in the heart studies the turbulent and impossible romantic relationship between two young women where one is polyamorous, and finding one’s own autonomy and power independently of others.

Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.

Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.

A lifetime of loneliness ends when Elise meets a kindred spirit, finally finding understanding and friendship in an unexpected encounter.

In the summer of 2018, novelist Tanja Arnheim and web designer Jerome Daimler have a seemingly ideal long-distance relationship in the heat of Berlin, the idyll of an inherited bungalow in the Hessian Main Valley and many train journeys in between. But the carefully cultivated balance of trust and detachment between the two hyper-reflective millennials is shaken when Tanja realizes on the night of her thirtieth birthday that the relationship could become existential.

A woman falls in love with a married, Belgian man. She finds out that he's married too late... although it's the second thing he says. The rest of the film is about the struggle of the man between his two loves, and of the woman not able to finish the hopeless and dangerous relationship. The title "tot ziens" (au revoir, a farewell greeting that implicates that one will see eachother again), is the ironic description of the film, which is about going away for good and then coming back again, because something is always stronger than your ratio.

A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.

A film between fiction and reality, highlighting questions about group dynamics and established hierarchies. A group of people meet for their high school reunion 20 years later. One of them talks about her being bullied and outcast and soon the former classmates fall back to the roles they used to have back in school. But this is just half of the film.

Hours before her scheduled marriage, young bride-to-be Shirin murders a man. The crime is completely unexpected and goes against everything we know of her. We learn that Shirin has had two unsuccessful marriage attempts, and is deeply psychologically troubled. But as the dark secrets in her past are slowly revealed, exposing a childhood of neglect, abuse, and the tragic history of two previous failed marriages, the characters must face their own battles with justice, retribution, and morality.

A teenage girl and a young boy run for their lives to cross 'The Line', but are they running away from danger or towards it?

Wes Thorne and Shelly Ackerman — two people living in opposite worlds. Shelly’s mother is off her medication so her home life is in shambles and she’s being bullied at school. Wes is an eccentric, wealthy man who has deep-seated issues with women and no close friends. When Wes offers to be Shelly’s legal guardian, both of their lives take a dramatic turn.

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.

An expressionist biography of Edith Stein, who converted from the Jewish faith to the Catholic one and became a Carmelite sister. She would die in a German concentration camp.

12-year-old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids, and Bailey, who is approaching puberty, seeks attention and adventure elsewhere.

Guarded and aloof cancer survivor is trying to return to the normal life and forget the horrors of the defeated disease that are still haunting her. She finds a new job but it seems that she has nothing in common with other people. Socially withdrawing herself, she is stuck inside her own world filled with despair and flashbacks.

Joseph and Brenda have done what many only dream of and retired to the South of France to live out the rest of their days as if they were permanently on holiday. But retirement is not what Joseph imagined, and when he meets a young, attractive woman, Suzanne, everything he thought he knew about himself and his world is turned upside down.

A park bench plays stage to the meeting between two people - Emma and Ben. Here we see them in present day and we learn that they once spent three years very much in love.

An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.

Eva is a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne, the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert — a sweet, funny and like-minded man. But things get complicated when Eva discovers that Albert is in fact the dreaded ex–husband of Marianne...