Risky Roadz: 0121

Documentary about the enigmatic and experimental music group "Reynols", his lead singer and leader who was down syndrome and the peculiarity of having a discography published in the most dissimilar corners of the planet.

A touching, funny and intense insight into the workings of a modern day renaissance project. Featuring rare interviews with Chris Corner, producer Jim Abiss, the live band members, and Sneaker Pimps co-founder Liam Howe, plus special footage of live performances and backstage madness.

Falco - Muss ich denn sterben, um zu leben?

Get to know the mastermind behind The Beatles’ worldwide domination, from an unknown Liverpool band to uncontested modern musical icons.

She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.

A feature-length documentary on the 1990s Chicago rock scene.

Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.

This documentary pays tribute to the contributions and importance of the title watering hole in the creation of the psychedelic dancehalls that littered the West during the late '60s and helped launch such super groups as The Grateful Dead, Jefferson Airplane and The Quicksilver Messenger Service. Music by Big Brother and the Holding Company, and the Charlatans is also featured. The Red Dog Saloon had its genesis in 1964 when a group of free-thinking, LSD-enhanced Northern California students and young folks had a party and began thinking about starting up a saloon that would evoke the old West. They decided to build their saloon in Virginia City, Nevada, a once prosperous town that was by then nearly empty. The ambience of the saloon blended Old West sensibilities with modern psychedelia, go-go girls and plenty of illegal drugs. The film is comprised of interviews with surviving founders, actual archival footage, and even a performance of some of the musicians who appeared there.

Adrian Chiles takes a long hard look at his own love of boozing. He wants to find out why he and many others don't think they are addicted to alcohol, despite finding it almost impossible to enjoy life without it.

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.

One of the dominating figures in Elvis Presley's life was his manager, who was known as the "Colonel". No other relationship in Elvis' life was as controversial and misunderstood as the one he had with Colonel Tom Parker. The truth about their unique friendship is revealed in this documentary.

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

In "Kate Nash: Underestimate the Girl," a platinum-selling pop dissident turns her back on the music business and learns how to survive as a punk renegade, TV wrestling queen, and DIY leader of an all-girl band. This high-energy, female-centered rock odyssey reveals the treacherous line that today's artists must walk to survive while making art on their own terms in the modern digital economy.

When filmmaker Andy Howlett set out with his camera to document the final days of Birmingham's Brutalist Central Library complex, little did he know the rabbit hole he was stumbling into. Decried by the Council as an eyesore, but hailed by Historic England as an exemplar of postwar design, the story of John Madin's concrete colossus and the fight to save it is a curious one. In this psychogeographic detective story, Howlett weaves together archive footage with on-the-ground explorations in an attempt to figure out why we lost Paradise and how it might be regained.

An engineering feat: Second city civil engineers complete a new bridge to carry traffic over New Street's tangled railway intersections.

The best of the action from over 30 years of FA Cup finals at Wembley Stadium.

Satellites in Texas is a feature documentary following musician Boome as he copes with his brothers sudden death. It follows his humble beginnings as he climbs the ladder of the music industry. Raised by a single immigrant mother Boome defies the odds and starts to scratch the surface of success. Faced by hard decisions to continue to pursue his dream, Boome takes us on the road.

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

This searing British thriller follows Flash (Dylan Duffus), who's safeguarding his buddy Angel's (Yohance Watson) cash until his release from prison. Now Angel is out -- and Flash is 100 pounds short. He turns to a lowlife named Evil (Tobias Duncan) for help, the first in a series of mistakes. Now, Flash has more than just Angel hunting him down. Directed by Penny Woolcock (Mischief Night), the film co-stars Ohran Whyte and Chris Wilson