Puzhayamma

Suzume, 17, lost her mother as a little girl. On her way to school, she meets a mysterious young man. But her curiosity unleashes a calamity that endangers the entire population of Japan, and so Suzume embarks on a journey to set things right.

Ahmet Bedevi, also known as Tarzan of Manisa, was born in 1900 in Baghdad to become a soldier, fighting in the War of Independence and honored with a medal. He returned to a ruined and destroyed Manisa in 1923. Bedevi started working at the Municipality as a fireman and a gardener. He became the pioneer and symbol of planting activities. Because of the soft climate of the area, he first wore a vest and trousers and then he started wandering about in the town in his shorts. The people of Manisa saw his resemblance to Tarzan because of his clothes, and always cherished him with love. Tarzan of Manisa lived in the mount Spilylus, ignoring all his individual needs but working for a greener environment. He died on 31st May, 1963. However, he has never been forgotten by the locals; on the contrary, he was immortalized for the things he did for Manisa and people followed his example.

Masaharu Fukuyama reprises his role from 2008's "Suspect X," playing the physicist-cum-detective Manabu Yukawa. The scientist-sleuth arrives in an oceanside town to speak on a panel. But when a man turns up dead outside the inn where he's staying, Yukawa begins to unravel the connections that tie the victim to the activist daughter of the innkeepers, and a precocious boy who first appears on a train—and keeps popping up. It's a Sherlock Holmes mystery with an environmental twist, and one that should please fans of a classic whodunnit.

An experimental silent film made with a team of three. Humanity is being wiped out and the last people left are friends May and Pearl. The main themes of the film are friendship that gives strength and hope, as well as current concern for the future of humans and our nature. Could we start over or was this it?

Welcome Home.

Forrest Taft is an environmental agent who works for the Aegis Oil Company in Alaska. Aegis Oil's corrupt CEO is the kind of person who doesn't care whether or not oil spills into the ocean or onto the land—just as long as it's making money for him.

When a ship sinks during a storm, a slave from the industrial island of Plutonia is washed up on the beaches of paradise island Melonia, where the "all-powerful" wizard Prospero and his strange friends reside.

This may be the one of the most important Horizon films of recent years. Climate scientists have just discovered a phenomenon that threatens to disrupt our world. It may already have contributed to the deaths of hundreds of thousands through drought and famine. Unchecked, it will strike again. The good news is that there is a cure. The bad news is that the cure may be worse than the disease. If they are right, then in tackling the one problem, we may unleash a climate catastrophe on our planet. This is a film about stark choices and about the dawning realisation that all our predictions about the world's climate may be completely wrong. At its heart is something that scientists are calling "global dimming".

An exploration of built and natural environments along the 800-mile length of the Trans-Alaska Pipeline.

For most of the world, consumption has been the unquestioned duty of every individual. Then garbage activist Annie Leonard brought her two-hour lecture to Free Range who helped her turn it into a 20-minute animated revolution. Shown in thousands of classrooms, endlessly blasted by Fox News, viewed more than 10 million times, The Store of Stuff finally opens the door to a serious cultural dialog about the costs of consumption.

Life in Canada is reflected by people's comments on trees as a tree is shown undergoing seasonal changes.

“Te Pito o Te Henua” (The Navel of the World) tells the story of the community behind Rapa Nui’s largest and most colorful annual Indigenous celebration, the Tāpati Rapa Nui Festival. Honoring ancient rites and competitions, Rapa Nui families participate in nine days of athletic feats, cultural demonstrations and ceremonies paying respect to the land, water and other natural beings of the island. They also crown a Queen to represent her people for a year throughout Polynesia and on the world stage. The film traces the journey of 19-year-old candidate Vaitiare and her family as they join work to earn her the crown and represent this small but well-known island as its people fight for increased autonomy and recognition on the world stage. Through intimate character portraits, behind-the-curtain moments and heartfelt musical performances, “Te Pito o Te Henua” reveals the true meaning of Tāpati and the deep connections the Rapa Nui share with their lands and waters.

Nestled below the rugged peaks of the Northern Rockies and along the crystal-clear Kootenai River lies the small logging town of Libby, Montana - an ironic setting for a town where many hundreds of people are sick or have already died from asbestos exposure.

A coming-of-age story about the formative sexual experiences of a young man who has an unusual pastime – staking out a known gay beat and watching men hook up. His ritual is disrupted one day when the boy he fancies turns up looking for casual sex with a stranger. When this encounter goes awry, he finds himself up close and personal with his infatuation and discovers the gap between sex as it exists in his imagination and reality.

Set in a small Nagano village in the 1930s, the film follows Hanji, a young boy captivated by a local kabuki performance. Inspired by Yukio, Hanji learns kabuki with Utako. As they grow, they become skilled actors, performing in a final kabuki before World War II. After the war, Hanji returns to revive kabuki and restore the community’s spirit. In the 1980s, as he nears death, the villagers organise a final performance in his honour, where he performs “Tenryu Koishibuki” for Yukio.

Dr Viktoria Wex arrives in a town in Masuria. She is about to say goodbye to the uncle who raised her as a surrogate father. The letter she received suggests that he has decided to take his own life.

Eight-year-old Kirill has big problems: he struggles at school, his parents are boring, and he has nowhere to put his lame stray dog. In short, he is at odds with the whole world. Then he meets journalist Vadim, who is easy to get along with and interesting. Vadim's interest is genuine — after all, Kirill is named after his deceased friend.

About the first Komsomol members.