In a World of One's Own

An allegory about the moment when a child is forced to choose between ideology and humanity while living and playing in a dangerous war environment.

How do you become who you are? Through the slights one experiences, believes freelance journalist and author Dirk Gieselmann. One late evening, he is alone in his apartment. His camera is set up in front of him, with which he records himself. In doing so, he first introduces himself personally and announces that he will call three people. In the telephone calls that follow, he confronts his interlocutors with long-ago encounters, experienced ruthlessness and the accusation that they drove him out of the paradise of childhood. That evening, he wants to know what the reasons were for the slights and hopes to be able to make sense of them. He realizes that his childhood has finally come to an end and remembers the world of thoughts that surrounded him when he was a little boy. Then he receives an unexpected call from his family.

After finding a dinosaur in the woods, a boy has a hard time getting people to believe his story until he brings the creature to show and tell.

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life. As a relationship develops between them, Adam is preoccupied with memories of the past and finds himself drawn back to the suburban town where he grew up, and the childhood home where his parents appear to be living, just as they were on the day they died, 30 years before.

A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.

Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

A tragic portrait of mother and child exploring grief through music and lyrical imagery.

Inspired by the aesthetics of live-staged performances, "Waiting Room" offers a unique artistic portrayal of handling one's childhood and growing up.

A man attending a funeral in his hometown comes face-to-face with his past when he is confronted with memories of mistrust, adultery, abuse, and a fantastical journey that couldn't possibly be real. It couldn't possibly be real, but the memory of a mysterious girl named Lettie Hempstock ties each bizarre childhood occurrence to the last.

A young orphan named Amiro lives alone in an abandoned tanker in the Iranian port city of Abadan. He survives by shining shoes, selling water, and collecting deposit bottles. Although he sometimes finds himself at odds with both adults and competing older kids, he finds solace in dreams about departing cargo ships and airplanes—and by running.

In a neighborhood of Barcelona two conflicting gangs all kind of tricks to get better off than the opponent.

A mysterious woman enters the life of Suk-won, a lawyer who has lost his memory. As their relationship develops, secrets embedded in his memory slowly surface.

A Russian poet and his interpreter travel to Italy to research the life of an 18th-century composer.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Hola... Señor Dios

Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.