Star Spangled Salesman

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

Throughout time, Eastern Ukraine (such as Donbas) has been referred to as a 'Russian world', but this is indeed not the case. The history of Donbas was re-written during the Soviet era. Although the Soviet Union edited out and withheld all references to the European background of this region from history books in schools and universities. There were, in fact, numerous French, Belgian, German, British, Polish, Swiss, Dutch, and even American settlements and more than 100 wide-scale enterprises in the region. Therefore, this film reveals the pro-European industrialization of Ukrainian Donbas at the turn of the 19th century. It aims to emphasize the European roots of Ukraine long before the official integration process of Ukraine into the EU in 2022.

A documentary produced by the United States Central Intelligence Agency (CIA) that covers the history, land reform, industry, religion, educational system, and urban activities of Taiwan.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

This film documents Hollywood's efforts to bolster support for the Allied forces in WWII by creating propaganda films.

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

Last bastion of freedom of expression or playground for extremists and criminals? Opinions are divided on the messaging service Telegram. Just like on its mysterious founder, tech billionaire Pavel Durov. Is this man an uncompromising advocate of radical freedom or an accomplice of criminals of all kinds? Author Aleksandr Urzhanov searches for answers.

Spin doctors spread misinformation and confusion among American citizens to delay progress on such important issues as global climate change.

World War II propaganda film made to show an American audience that the Dutch were and would continue to be valuable allies in the fight against the Axis powers.

Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.

The story of Viktor Stratoberdha (1921-1991) mirrors many of Albania’s tragedies. Stradoberdha’s humorous, buoyant style led him to be one of the country’s most promising filmmakers. But after being denounced in 1956, he was expelled from the Kinostudio and sent into internal exile. In 1967, Stratoberdha directed a local theater play in which the economic five year plan was placed in a coffin. He was then jailed for the next two decades. Urime Shokë Studentë! is one of the surviving documentaries of Viktor Stratoberdha’s all too short career.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

After the defeat of 1940, and faced with the unexpected collapse of French power, all eyes turned to a horizon of both hope and uncertainty: the colonies. France had suddenly become an empire without a metropolis, reduced to two-thirds of its former size. Pétain saw the colonies as a "consoling myth" after the defeat, while de Gaulle considered them essential strategic locations for the Resistance. The two clashed in a propaganda war.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.