Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
An electrician is trapped in a looping room and goes mad.
Two men share an odd friendship while they care for two women who are both in deep comas.
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.
An unspoken conflict is affecting the relationship between two brothers. Will Simon and Robin find the courage to talk about their issue?
A Film About Writer's Block & Procrastination
This is the story of Gato, an Italian immigrant, who lives with his wife, Marie, and his younger brother, Giuseppe, on a small truck farm in the west. Gato becomes so intent on his work that he neglects to show his wife the little attentions she demands. A foppish wandering Italian, Sandro, sees in this an opportunity to work his ends, but is prevented by the timely interference of Giuseppe.
15 year-old Lyz, a high school student in the French Alps, has been accepted to a highly selective ski club whose aim is to train future professional athletes. Taking a chance on his new recruit, Fred, ex-champion turned coach, decides to make Lyz his shining star regardless of her lack of experience. Under his influence, Lyz will have to endure more than the physical and emotional pressure of the training. Will Lyz’s determination help her escape his grip?
The Male Gaze is a new series of releases from New Queer Visions that showcases short LGBTQ films from across the world. The first instalment, First Kiss, brings together five shorts that are based around men experiencing romantic and/or sexual interaction with other men for the first time. It takes in films from Sweden, Indonesia, USA, Australia and France giving a rounded look at how similar experiences are depicted across the world. The films are: Naked [Naken] (2013); Pria (2017); Walk With Me (2018), One Night Only (2018); Michel's Mouse [Tapette] (2016).
In the apartment hotel lived the aspiring maid, whose solicitude maintained order in the bachelor's apartment. He was her ideal, and the all-adoring bell-boy was firmly but gently given to understand that maids who read "Heliotrope Glendening's Advice to Young Ladies" look higher than ice-water toters. A compromising complication, however, with an unexpected visit from a beautiful lady, quite convinces the aspiring one that wealthy young bachelors may be the grandest men ever, but their aspirations, when it comes to the crucial test, are not for chambermaids. Science influences his actions so much that he gets into trouble with the police.
Daniel got lucky tonight: this time he is not going home alone again. But is that enough to pull him out of his reality?
Two strangers meet in a subway car. Both bring their past with them. Both look from their present. Both will determine their future in that fleeting, and ephemeral, vital journey that brings them together briefly.
Bad luck forces two men to resort to Plan B.
Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.
Based on a true story of two brothers in 1970's Ohio. It tells of their abandonment by their alcoholic parents and how the brothers turned to each other for support.
Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.
A vicious crime leaves a Brooklyn man wrestling with his conscience in this short film.