Leaving Tracks

Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

This documentary chronicles David Beckham and his friends' unforgettable journey deep into the heart of the Amazon rainforest in Brazil. Travelling by motorbike and boat, and guided by locals, he visits far-flung communities and tribes that live in this remote landscape.

Lifelong biker Gareth Maxwell Roberts explores the contemporary custom motorcycle culture.

Ordu, Texas

Dusty, a Baltimore motorcycle builder, finalizes his shovelhead chopper named Gloria.

The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie--the cinematic genre the plot of which is developed during a trip.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Join two filmmakers as they are sent on a crazy six week trip to show their cult motorcycle films throughout Europe, meeting underground bike builders and throwing parties along the way.

A documentary about the people who ride their motorcycles around America. Filmed during the 1996 annual biker run held at Sturgis, South Dakota, it takes a close look at some of the different types of people who ride motorbikes, showing that they're not what popular stereotypes have portrayed them to be. Among the people followed are Alex and Martin, a middle-aged couple planning to attend the festival together, Ilene, who comes from a long line of bikers, and the rough-looking "Liddo" Jim, head of a group called the Ressurection Motorcycle Club.

Shot in Australia, USA, Italy, France, Germany, and Japan, Beyond the Wasteland follows the fans from around the world who go to extraordinary lengths in the name of Mad Max. Transporting us into the world of Mad Max, we explore the eccentric world of the fans, their costumes, and their machines as these oddball fans find their place amongst the Mad Max community. The documentary also follows original cast member, Bertrand Cadart as he continues his fight against stage IV leukemia and travels from his home on the Sunshine Coast to the “Wasteland,” the desert location of Mad Max 2 in Silverton, for the last time. Beyond the Wasteland not only celebrates life but the ability to change oneself through passion.

Ennio Zani, a former rider and mechanic, remembers in his workshop the story of the first motorcycle racing team ever in the Republic of San Marino, a little independent country located in the Italian peninsula. The story of his childhood, when he gets in touch with bikes and starts to work as a mechanic, is the previous part of a story that involves other riders and motorcycle lovers from the late 50s, like his brother Italo, Glauco Sansovini, Piergiovanni Volpinari, Glulio Manzaroli and Alfio Beccari. Through interviews, vintage photos and old videos, a lot of crazy anecdotes describe the spirit and the passion of the racing team. The protagonists explain how the first motorcycles were built (using old scrap parts), how they organized the first road races, how they built the first motocross track in San Marino, how they fought against rivals all around Italy, supported by their love for this sport but with no money at all.

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What if you were a Hollywood movie star with an obsession for cars and racing? Eric Bana is such a star!

In 1994 filmmakers Jon Freeman and Dana Nicholson had been accumulating footage to showcase a behind the scenes expose of the lifestyle of an American pro motocross rider in action, 145ft plus jumps, 45ft high in the air soaring over sand dunes, mountains, houses, buses and anything else secure and steep enough to hold the weight of bike and rider. The end result was Fleshwound Films and the first video Crusty Demons of Dirt. The launch of this video was to change the face of motocross and create Freestyle Motocross (FMX). For over a decade, they took their dirtbikes around the world in search of unique locations and ultimately experienced the most ridiculous adventures. Exotic locations in nineteen countries : the ruins of Machu Picchu, packed arenas in Australia, the mysterious Easter Island, wild deserts in Africa no matter where we go, nothing is ever left the same.