The story of Isabelle Caro, Oliviero Toscani's NO-Anorexia model who rose to fame after his campaign. Diving through different passages of time, with the aid of family photos as well as video diaries left behind, we see a kaleidoscope of Isabelle's life and the world that surrounded her.
A mother fed up with her spoiled daughter goes on a world wide search to figure out what mistakes have been made and how she can fix them.
No Numbers is a documentary that looks at the general sense of "dis-ease" in our society and the increasing normalcy of hating ourselves. Three women speak out, sharing their stories of recovery from anorexia and bulimia. In telling their stories through the creative medium of film they rediscover values in life that move beyond inches, weight, and other measures that society too often champions as benchmarks for success. Though the issues raised in No Numbers stem from individual stories, they are inescapably connected to society and thus to the community as a whole. No Numbers focuses on healing that recognizes community and creativity as integral players in recovery. Finding identity beyond measures isn't just about recovery from eating disorders, it's about re-discovering the fullness of our lives.
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
During the summer of 2018, hundreds of earthquakes shook the summit of Kiilauea, sparking the volcano's largest eruption in 200 years. To some, it was a disaster. To others, it was the goddess Pele's way of creating new aina (land). The Hawaiian peoples' resilience and cultural unity is a lesson in the true spirit of Aloha.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.
Days Off is a short film, an homage to the puppet and city. By combining puppet animation and live action it builds a certain strange kind of reality, a reality that is based in the real world. It is an audiovisual testimony using the language of surrealism, satire, parody, irony and gallows humor, a dark mirror reflecting today’s world.
A young girl buries in her soul a memory of a painful moment, when as a child she brought home an injured bird and her father burdened by his own weight of worries didn’t notice her feelings and longing for understanding. The girl took her father’s reaction as indifference and closed herself in her inner world longing for her father’s love and its manifestations. Since that moment she and her dad continued to grow apart, and as an adult she is no longer able to accept his endearments. The father suffers from guilt and searches for a way back to his daughter, trying to revive their lost relationship.
Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.
This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.
A child fishing in a puddle using bananas as bait catches a bigger fish than he can handle and flees with the giant fish in pursuit.
Documentary about eating disorders among professional climbers
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
Lynch's first film project consists of a looping animation of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.
Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".
During the Annecy festival, while the young festival goers flock to the screenings, a producer relaxes on the lake.