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Stars of TWD: Daryl Dixon Norman Reedus and Melissa McBride revisit iconic moments between their characters, Daryl and Carol and discuss what is coming up in season two of TWD: Daryl Dixon.

Conservators at the Natural History Museum in London are seen through a thermal imaging camera traditionally used in surveillance or hunting. They restore taxidermy specimens from the South American collection in preparation for relocation to off-site storage. Infra-red night-time footage captures endangered animals that have recently been translocated from Europe back to their native habitat in Argentina, the country from which Rinland’s parents emigrated.

Survey Marilyn Monroe’s life through photographs, from Hollywood stills to candid pictures snapped on the streets of New York.

Mulheres Radicais

A documentary by Ronny Svensson and Markus Stromqvist on the making of Bo Widerberg's 1976 movie Man on the Roof, featuring extensive interviews with cast and crew

This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil's colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner. Be aware that the film's final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.

Filmmaker Judith Helfand's searing investigation into the politics of “disaster” – by way of the deadly 1995 Chicago heat wave, in which 739 residents perished (mostly Black and living in the city’s poorest neighborhoods).

A documentary about Anton Perich, brilliant Croatian artist, naturalized New Yorker. He worked as photographer at Andy Warhol's Interview Magazine and has been active member of the Factory since early seventies.

Seattle's Loch Ness: The Lake Washington Sea Monster For hundreds of years the Wonkatilla tribe of the Northwestern United States has worshipped a giant sea creature they call Willatuk, God of Ocean, after it saved their lives during the great earthquake and blizzard of 1736. But now, scientists and hunters are tracking Willatuk to study the creature and possibly kill it. Can Chief Clamintile and his tribe save their "God of Ocean" from the guns and chains of modern man, or is it too late? Learn the answers by watching Willatuk: The Legend of Seattle's Sea Serpent.

A young woman tells her parents and fiance (in flashback) about the recent sinking of the Titanic and her experiences as a passenger during the disaster. Her intended marriage now faces a new hazard because her fiance is a sailor and her parents have just been reminded of the dangers of the sea. Premiering in the United States just 29 days after the event, it is the earliest dramatization about the tragedy.

The documentary film HUMAN study what’s human – out of context. Without familiar purposes and surroundings, the film plays our labeling instinct against the factual meeting with another person. How close can we get to another human before it gets inhuman, – or maybe too human?

GLUE - expressing a close perspective to the feeling of snowboarding.

Kazimir Malevich wanted to burn all the pieces of art. And to create black squares from the ashes. The black square (Everything of art) did not appear here by an accident. Where are its roots? Is not the square in its core a circle, the return of Everything? And are we to speak on fundamental matters? Here we enter the quest of spies. The agents want to keep silence. The informaticians prefer the total openness, proximity, disposition. Distance or proximity?

Produced in 1969 by Mosfilm, this documentary details the filming and editing of "War and Peace."

What happens when 11 world-renowned avant-garde artists are invited to a luxurious resort in the Adriatic where they can do nothing but rest? Attila Csernik (Serbia), Radomir Damnjanović Damnjan (Serbia), Željko Kipke (Croatia), Ivan Kožarić (Croatia), Vlado Martek (Croatia), Era Milivojević (Serbia), Romelo Pervolovici (Romania), Pinczehely Sandor (Hungary), Balint Szombathy (Hungary), Janos Sugar (Hungary) and Ilija Šoškić (Montenegro) are still in full artistic sway.

Adopce: Konkurz na rodiče

Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.

Along the dark country roads of rural Germany, prostitutes from foreign countries work in old caravans. ln this uncanny world, the murder of one of the women .

1975, the year after the Carnation Revolution. Eduarda, João and Mick come from Northern Europe to work in the co-ops in the occupied farms of central Portugal. Like many others, they come to help with the land and the livestock, give medical appointments, family planning classes, show sexual education films and participate in the traditional dances. They bring a great deal of questions, but the “comrades from the South”, in turn, have more questions than answers.