Republic of Silence

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

80 years are gone since The Little Prince was released. Author Antoine de Saint-Exupéry was also a pilot, and we follow his last four years from his US exile to when his plane in 1944 disappeared over The Mediterranean without any trace.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

The life and professional career of the Spanish filmmaker Florián Rey (1894-1962), a brilliant artist who began his career in silent films and had great commercial success during the Second Republic (1931-1936): a journey to the early days of Spanish cinema.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)