Republic of Silence

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

A portrait of Chinese writer Liu Xiaobo (1955-2017), a witness of the Tiananmen Square massacre (1989), a dissident, a woodpecker who tirelessly pecked the putrid brain of the Communist regime for decades, demanding democracy loudly and fearlessly. Silenced, arrested, convicted, imprisoned, dead. Nobel Peace Prize winner in 2010, alive forever. These are his last words.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

A history of the political and social repression carried out by the ruthless regime of Spanish dictator Francisco Franco between 1936 and 1975 that focuses on the lives of gays and lesbians during those dark years and the death of the Spanish gay poet Federico García Lorca.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.

Documentary about the history of Philippine cinema.

The glorious and tragic story of American athlete and actor Johnny Weissmuller (1904-84), Olympic swimmer, water polo player and the only true Tarzan, an archetypal character and myth of cinema, that of the original Hollywood blockbusters (1932-48).

The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Bertolt Brecht asked whether there would be singing in the dark times. In the throes of war, the United Ukrainian Ballet Company defiantly insists there will be dancing, too. Far from the land they call home, young dancers take quiet comfort from art. For a while, their work feels like the old days, except there is a new troupe member: a soldier learning to dance with prosthetic legs.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.