Republic of Silence

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain. The long and hard battle to bring down communist dictatorship has begun.

A documentary about Hong Kong cinema mythology via Julien Carbon and Laurent Courtiaud’s experience as screenwriters in the HK film industry, working for Wong Kar-wai, Tsui Hark, Daniel Lee and Johnnie To

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Documentary about the history of Philippine cinema.

The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

The glorious and tragic story of American athlete and actor Johnny Weissmuller (1904-84), Olympic swimmer, water polo player and the only true Tarzan, an archetypal character and myth of cinema, that of the original Hollywood blockbusters (1932-48).

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

As Russian writer Boris Pasternak (1890-1960) thinks it is impossible that his novel Doctor Zhivago is published in the Soviet Union, because it supposedly shows a critical view of the October Revolution, he decides to smuggle several copies of the manuscript out of the country. It is first published in 1957 in Italia and the author receives the Nobel Prize in Literature in 1958, which has consequences.