Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
Kůrovec
Škůdci listnatých lesů
Škůdci jehličnatých lesů
Discover the "character" of one of Missouri's oldest tie and lumber operations through this archival black-and-white film that documents one of the last railroad tie drives on the Black River made by the T.J. Moss Tie Company of St. Louis in the 1920s. Thanks to release of the film by the Kerr-McGee Chemical Corporation, the rare footage in "Stamp of Character" takes us through the entire process of making railroad ties, at a time when forests covered almost two-thirds of the state. The original silent motion picture was shown in movie theaters as an advertisement by the T.J. Moss Tie Company. Using digitally edited narration and realistic sound effects, this video makes the past live again.
Living in an ancient redwood tree for more than two years to prevent the tree from being clear-cut, Julia Butterfly Hill captured our hearts and minds by showing us that one person can make a difference. Through interviews with Hill, filmmaker Doug Wolens paints a portrait of an intensely spiritual and articulate woman who encountered both beauty and horror (she was assaulted by lumber company helicopters at one point) during her time above ground.
Once Upon a Time in a Forest is a film about brave young people who are defending one of the last coniferous forest areas in Europe. It is a morality play and a love story of a younger generation whose main object of love is the Finnish forest. This cinematic documentary explores environmental feelings and witnesses how the 22-year old protagonist Ida grows up to be the leader of the new Forest Movement.
Christian Kjærs sidste vilje
The human impact on forests is explored through breathtaking vistas and poignant vignettes set in Canada's Pacific Northwest. Those who rely on this precious resource highlight the tensions and dilemmas between commodification and conservation.
Groenkijkers
Zelená stráž
Retired lumber jacks talk about their careers in forest industry of Lapland.
Follow a group of boys as they learn forestry, map reading, camping, canoeing and rock climbing.
Blad-Johan and the Nature Filmer are two cartoon characters who are part of this rhapsodic montage of crazy ideas and situations that take place in nature.
When Rana's delight, her hen, Kakoli, goes missing, causing her to enter into the state of shock, and joy consequently leaving her completely, her brother and his friend embark on a quest to find the animal, and possibly save her from the dangerous band of local poachers, who coincidently turn out to be followed for arrest by the very small team of local rangers, consisting of Rana's father, among others.
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking. Written by KARLOVY VARY IFF 2006
THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.
The filmmaker revisits the diaries she kept during the years when video was banned in Iran. Using her personal VHS archive of films as a point of reference, the film explores a very personal film history with audio interviews with film historians, film buffs and those involved in the film black market. This is the story of an underground subculture of cinephiles hiding amongst the first Iranian post-revolution generation, who pursued their love for cinema despite strict government restrictions and the threat of imprisonment.
A documentary giving information on the game based on the TV show of the same name, about a group of young men who perform painful and outrageous stunts for fun with interviews from Jeff Tremaine, Johnny Knoxville, Bam Margera and the rest of the cast and crew, who relate some of their funnier or more painful experiences with making the game, as well as footage using digital technology to create the game.